At Home with Tech

It’s not as complicated as it looks. Tech tips for your life.
September 6, 2026

Why I Like to Convert my New York City Photos to Black and White

Though I’m not a black and white photographer, sometimes I choose to pull the color out of my shots after I walk through the streets of New York. Here’s why.

I grew up in New York City. It’s my forever hometown. Though I haven’t lived there in decades, my life forever orbits around it.

I’m as close as the 7:55am Metro North train into Grand Central Terminal.

Discovering What’s Around the Corner

Many of the photos I’ve taken of the Big Apple over the years are simply the result of my commutes and what I’ve run into on the streets of Manhattan. 

And I’ve found that more than a few of my resulting shots look better as black and white versions. 

Prometheus Watches Over the Ice (2021)

Photo by Barrett Lester

Why am I drawn to the black and white look? When you think about New York City, what are a few descriptors that come to mind? For me, I would say:

  • Classic
  • Dramatic
  • Timeless
  • Gritty

And these are also some of the ways that black and white images present themselves. So, the visual and energy alignment is clear.

Better in Black and White 

That’s why I occasionally feel compelled to click on the tiny black and white button when editing my New York City photos on my Mac Studio. (My tool of choice is Adobe Lightroom. It offers a variety of B&W ‘looks.’)

As a result, my selected shots often benefit from their visual conversion into the black and white universe.

Sure, they still look nice in color. I just like them better in black and white. It generates a classic timelessness about them.

Here are more examples.

Atlas Lifts World Cup Awareness (2026)

Photo by Barrett Lester

Scabby the Rat Protests (2026)

Photo by Barrett Lester

Morning Commute at Grand Central Terminal (2025)

Photo by Barrett Lester

East 63rd Street (2022)

Photo by Barrett Lester

48th and 5th Avenue (2021)

Photo by Barrett Lester

Smith & Wollensky (2021)

Photo by Barrett Lester

Bliss (2021)

Photo by Barrett Lester

Outdoor Dining (2016)

Photo by Barrett Lester

Follow Your Flow

I usually don’t go looking for photos to snap on the streets of New York. Certainly not black and white ones. They find me. And I often don’t recognize the opportunity to convert them to black and white till much later… sometimes years later when I review them again.

I’m not sure what that says about me as a photographer, but it does reveal something about my creative process.

We all travel our own road that leads us into inspiration and towards creative execution.You just have to go with the flow and see where it takes you.

New York City Marathon (2008)

Photo by Barrett Lester
Leave a comment
August 30, 2026

Why I Created Three AI Spokespeople to Promote My Blog

Meet Mr. Tech, a robot and a time traveler. I invented them and then brought them to life in their own commercials below. But here’s their true purpose.

I had a mentor who once told me about her 80/20 rule when producing content. The rule said you should spend 20% of your time ‘creating’ and the other 80% ‘promoting’ what you made.

Leaning into the spirit of that 80/20 marketing rule, I’ve decided to spin up a few Gen AI characters inspired by my blog topics to help promote a few of my past posts. (And of course, by doing that, I’m instantly breaking that rule.)

So please meet my three AI spokespeople I created who are now starring in the below 30-second At Home with Tech commercials.  

The Time Traveler

Mr. Tech (You’ve seen him before.)

The Robot Teacher

My next step was to bring these freeze frames to life. But to accomplish that, I had to first wear the following hats:

  • Casting
  • Location Scout
  • Script Writer 
  • Talent Director
  • And Director of Photography
    (I occasionally used Claude for this.)

Once I provided the necessary creative direction and script, I put Gen AI to work creating video clips for my commercials. Here are the results.


This Time Traveler has a Mission to Save Time

My Blog Post:
How to Use Shortcuts on Your iPhone to Save Time



Mr. Tech Worries About Capturing the Sunrise on a Cloudy Day 

My Blog Post:
How Clouds Transformed My Boring Sunrise Timelapses
into Pure Magic



Robot Teacher Explains How to Unlock an Old Suitcase

My Blog Post:
Try this Luggage Hack If You Forget Your Lock’s 3-Digit Code



I Used Google Flow

So yes, I hope you watch my above AI commercials and then read my blog posts they’re promoting.

But truthfully, that’s not the main reason why I created them.

I gave myself this marketing assignment, because I wanted to learn more about how to make these AI spots.

For this project, I used Google Flow (Veo) as my Gen AI tool of choice. 

The Steps to Bring My AI Characters to Life

And while parts of my workflow generated cool, unexpected AI iterations, which I used for inspiration, much of my creative process still relied on this human’s creative vision. 

And because this astonishing technology is still highly imperfect, I found a clear need for an organized process that would lead me to an acceptable level of creative consistency and output.

So, I had to stick to the following steps:

  • Create the characters and their voices first
  • Generate their environments
  • Then put them together
  • Write the script and figure out each shot and length
  • Be ready to adjust certain shots if they’re not generating correctly
  • Don’t forget that each failed video generation drains your monthly credit allotment 
  • So allow yourself the flexibility to leave certain ideas behind
  • Give yourself enough time to account for platform generation delays
  • Simplify as needed

Though you can perform basic video edits on the Google Flow platform, I decided to bring my clips into Final Cut Pro for more advanced results.

I’m Learning a New Way to Communicate

None of this went especially quickly, and I found there were clear limits to what this ‘beginner’ could accomplish. What I ended up with wasn’t exactly what I envisioned, but it was close. It still feels remarkable that this is even possible.

And though there is some commentary out there about how AI may be taking away our need to ‘think,’ let me tell you, I had to do a whole lot of thinking with this. It was like trying to solve a puzzle that was regularly shifting on me. 

Sure, I traveled through several phases of frustration. But I also found the process entirely fun and invigorating. I was like a Star Trek ‘Q,’ creating realities from the whims of my imagination.

Of course, I know it’s only going to get easier. Not only because AI is constantly improving, but because this ‘organic’ is learning too.

Radical Change

As I travel through this new creative process to visualize my own ideas through AI, I hope you enjoy my silly AI spokespeople and find more of my blog posts.

The road ahead is far more serious.

Leave a comment
August 23, 2026

Has “Star Trek: Strange New Worlds” Jumped the Shark?

If you’ve noticed that season 4 of “Strange New Worlds” has been warping through entirely different storytelling genres, you’re not alone. Confused? Is there some logic behind all this? Let’s explore…

What do the following movie and TV genres have in common?

  • Dinosaurs
  • Zombie ghosts
  • Piecing together a blackout night of mayhem
  • 1942’s “Casablanca”
  • And the Muppets

Yes, it would be the first half of “Star Trek: Strange New Worlds” season 4.

Based on the first five episodes, “Strange New Worlds” has settled into a certain genre-of-the-week groove. And it’s certainly not what you might say is classic Trek. 

Puppets in Space?

We just got the long-teased comedic puppet adventure. (Yes, the crew is turned into puppets by a transporter accident.) 

This comes after the film noir episode, the ‘Hangover’ homage, the horror episode and the time-travel dinosaur plot.

Boldy Go?

With the writers exploring a different genre each week, you might simply conclude the show is taking some big swings or alternately feel it’s become a bit gimmicky. 

It’s not that “Strange New Worlds” hasn’t explored varied storytelling genres before (such as season two’s musical episode). And even the original series had its comedic plots like the famous “The Trouble with Tribbles.”

But we’re halfway through this second-to-last season for “Strange New Worlds.” Except for the premiere, which was solid science fiction (the dinosaur-punch notwithstanding) the show is acting like it has all the time in the world to have its fun.

Lost in Space?

But the reality is we’ve only got 11 episodes left to the series finale. (Season five will contain only six episodes.)

Shouldn’t the writers be giving us more serious plots that try to push the boundaries of science fiction? Well, they’re certainly pushing “Star Trek” norms. 

So, you might conclude that “Strange New Worlds” is off course and jumped the shark.

But you’d be wrong, And I’ve got two reasons why…

Reason #1 
Look Under the Hood of the Gimmick

Sure, transforming the crew into puppets (via Jim Henson’ Creature Shop) may seems like a silly gimmick. But when you move beyond the plot device and realize it’s just a metaphor for what show is really about (just wait for the ‘aha moment’), you understand how clever this concept really is. 

Then, you can rewatch “Level-Five Transporter Accident” and enjoy the episode on a totally new level. 

Many great “Star Trek” stories are often just metaphors for something entirely different. Let’s not forget that.

Reason #2
Let the Show Have its Fun. The End is Near.

“Strange new Worlds” has already served up a variety of lighter plots in its first three seasons. We just happened to get a grouped set of these ‘unique’ episodes at the top of this season.

Let’s enjoy this fun… because we know it’s not going to last.

There’s a lot of ground to cover to get from Captain Pike’s Starship Enterprise to a very different Enterprise crew let by Kirk.

I imagine there’s going to be choppy waters ahead for this ship and crew. Plus, we already know Pike’s fate. And unless the writers are going to reveal a sci-fi deus ex machina to soften that blow (like the Klingon ‘time crystal’ from the season 1 finale), we’ll be shedding a few tears next year.

There’s a Method to this Madness

So why not enjoy some hijinks before we need to get to that finish line? Spock and Scotty are still in their formative years, which the writers are clearly leaning into. Every episode doesn’t have to be a universe-saving venture.

And despite the tonal swings, the writers are demonstrating intention with each episode’s messaging. Plus, they pull regularly from Star Trek canon. I love that. And I will trust there is some logic in the larger plan.

The Warp Core is Sound

I’ve read some critics’ conclusions that there are too few episodes left to waste on ‘fun’ episodes. And they may have a point.

But “Strange New Worlds” has already proven itself during the past three seasons. It’s earned the opportunity to take some creative license.

Enjoy the Last Days of Summer

Season 4 has been a perfect summer series. And don’t forget, winter’s coming.

For now, I’m going to sit back and happily enjoy my Trek.

2 Comments