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I Went Looking for Lobster Boats and Instead Found Cupid

One of the easiest ways to learn about a place is to simply take a walk and look around. It provides an entirely different perspective than driving about. Plus, you’ll find any number of photo opportunities while traveling on foot. 

That’s exactly what I did across several mornings during our recent vacation to Cape Porpoise, Maine.

A Walk Back in Time

On my walks, I spotted a variety of interesting visuals that reflected the slower pace of this summer vacation spot. It felt like a walk back in time.


Steel Beams Instead of Lobster Boats

But all was not quiet and relaxed.

I also ran across a contrasting story for this sleepy town: a massive construction project – the $8.6 million rebuild of the Cape Porpoise Pier, used for commercial fishing. 


I Met Cupid

Though all the machinery and steel in this construction zone certainly projected a different vibe, this space somehow still maintained an even and friendly energy. 

I spotted a happy dog calmly watching the build. He looked out of an open window from a nearby truck. His human was one of the construction workers I chatted with. The man explained to me that his dog was a rescue from a life-threatening situation. 

His dog’s name: Cupid.


Don’t Forget your Camera

You just don’t know the stories you’re going to find when you set off on a walk. 

And this certainly isn’t just a vacation activity to practice. Whether you’re near or far from home, there’s often an unexpected photo around the next corner. 

Or you can simply look straight ahead. Another headline may appear right in front of you.

Searching for Silhouettes on a City Street at Sunrise

People walking in Baltimore's Harbor East neighborhood at sunrise

The orange glow of the sun that floods the landscape at sunrise or sunset is a great time to photograph silhouettes and shadows. Here’s how I maximize that opportunity.

If you’re lucky enough to be walking on a city street facing due east or west when the sun is low in the sky, it’s time to take out your camera. That’s when you can easily find magical silhouettes and the shadows of people bathed in sunlight.

Your eyes may only sense a blinding fog of bright orange. But your camera can likely peer through that optical interference and capture enough detail to be later optimized in post.

When editing these photos, I find it ideal to focus on deepening the silhouette effect in a targeted fashion. I accomplish that using Adobe Lightroom with the AI-powered Masking/Objects tool. That allows me to easily select the silhouetted images in the foreground to darken them further without affecting the rest of the photo.

Here are a few examples.

Baltimore, Maryland’s Harbor East (2025)
I snapped this sunrise shot as two men walked to work by the marina.
Two men walk to work in Baltimore's Harbor East neighborhood at sunrise

Facing East at Grand Central Terminal (2012)
Though not technically a street, the Main Concourse at Grand Central channeled the morning’s rays onto New York City commuters as they rushed to their jobs. (I think some of these folks may already be late, as you can tell from the clock.)
Commuters rush through Grand Central Terminal in the morning

Facing West on a Street in Barcelona (2008)
These two women were enjoying their sunset stroll.
Two women walk on a street in Barcelona at sunset

Morning Stretch in Hong Kong (2005)
I captured this quiet moment as I explored the neighborhood during a work trip. Even if the sun isn’t in the perfect position, a shaded space with a bright background can offer your camera a similar silhouette effect.
Man's morning stretch in Hong Kong
The Power of a Good Silhouette
Whether you have your smartphone or a mirrorless camera to compose your photo (I used my Panasonic Lumix DC-ZS200D for my Baltimore pictures), sunrise and sunset are perfect times to capture the landscape.

If you can frame the bright sun in your shot, that’s great. But for me, I’m often more interested in the dark shadows.

Timelapses from our Royal Caribbean Cruise to CocoCay and Nassau

Independence of the Seas and Vision of the Seas docked at CocoCay

I snapped this moment right before my timelapse that captured the Independence of the Seas’ departure from CocoCay during my family’s Caribbean cruise vacation. Below is the full video along with my other timelapses and the challenges I faced creating them.

My family and I have returned from a fun, four-night cruise on Royal Caribbean’s Independence of the Seas. Our itinerary took us out of Miami, spending the first full day at CocoCay and then another at Nassau. The next day, we were on the water, returning to Florida. And then back in Miami on the final morning.

We had a fabulous time, and I’ll be writing more about it and sharing photos in my posts to come.

If you’ve watched some of my timelapse photography in previous blogs posts, you might assume I would try capturing a few timelapse videos during our cruise. And you’d be correct. I brought along my DJI Osmo Pocket 3 gimbal camera and a Joby GorillaPod for the job.

I didn’t have a plan going in, but it quickly became clear what I needed to do.

Don’t Forget to Include your Ship in your Timelapse
I decided that cruise ship timelapses are optimized when they show your vessel moving through the water as it arrives at port or departs. Just capturing a timelapse at sea isn’t as visually dynamic (though if there’s good cloud action, that dance can be really interesting).

Ideally you should simultaneously see the hull of the ship, the water and the port in your framing. The boat anchors the whole shot (and the rest of the imagery moves).

But it’s hard to frame it all in, because that means having to somehow position your camera a foot or so beyond the hull of the ship.

Sure, it’s simple to stretch your arm out to capture a quick photo (don’t drop your phone). But it’s a different story when you need to use a tripod to steady an extended timelapse. Where are you supposed to place it?

Grip the Railing in the Right Place
The trick is to first do a walk around and review the top deck’s railing design. If you’re lucky, you’ll find a part that extends out a bit next to a low-enough glass barrier. (Shooting through glass doesn’t work.)

I found the railing around the Independence of the Seas’ main top deck (12) was not a perfectly oblong design. It did, in fact, jut out in a few places. I found a great spot by the aft, starboard side.

Joby GorillaPod and DJI Osmo Pocket 3 on cruise ship Independence of the SeasMy GorillaPod gripped the railing there for one of my timelapses. Then, I attached the vertical Osmo Pocket, which enabled the Osmo to barely peek over the glass barrier.

My rig held together as it captured this timelapse which showed our arrival at the Nassau Cruise Port.

Find a Flat Surface for your Tripod
I also discovered that a section of Deck 12’s railing ran by two flat metal surfaces located towards the bow of the ship. These were the foundations for the two circular glass roofs covering the Solarium whirlpools a deck below.

Each provided a perfectly flat surface for my GorillaPod and Osmo Pocket 3.
DJI Osmo Pocket 3 records timelapse from cruise ship Independence of the Seas.So, when I positioned my Joby and gimbal an arm’s length out from the railing, it offered me the ideal perspective (as if my camera was hovering next to the ship).

Here’s my timelapse leaving CocoCay from that vantage point…
It really helped having another ship (Royal Caribbean’s Vision of the Seas) docked there to provide additional visual context.

This next timelapse utilized the gimbal’s pan function, showing the view while we were docked in Nassau. (That’s the Disney Wish cruise ship in the shot.)

And here’s our departure from Nassau.
(I added a ‘Gaussian Blur’ on the left section in post to mask a couple of travelers who unknowingly walked into my shot.)

Safety Concerns
I ran these timelapses for up to 30 minutes Each frame was recorded at two second intervals. (I sped up some of my timelapses in post). That’s plenty of time to allow for Murphy’s Law to come into play. For the record, this little vacation hobby of mine was a great way to destroy or lose my gear.

There was a constant wind blowing throughout these timelapses. Gripping the railing with my GorillaPod was an unproven strategy under these conditions. Plus, standing my little tripod all on its own outside the railing on the Solarium roof offered no anchor solution (other than my hand nervously holding onto one of the legs).

A lot can happen with no net.

Tempting Fate for Creative Pursuit
My Osmo Pocket 3 could have easily blown over. A big gust of wind would have carried it overboard and into the drink. (I’m sure this would not have been the first time a camera or a smartphone fell into the ocean during a cruise.)

Happily, none of this happened, and my gear survived.

I’m not sure what it says about me that I put my camera at risk like this. I could say I took a ‘calculated’ risk. But that doesn’t change the variables. I think I just wanted the shot, and I felt compelled to try. Perhaps it simply comes from the creative fire that stirs in me and many of us.

So, should you also choose to try something like this, good luck and be forewarned.

And you might want to consider bringing along a roll of duct tape with you… that couldn’t hurt.

Don’t Forget the Basics for a Relaxing Vacation
Beyond the creative achievement and risks to create my timelapses, this simple exercise served another important purpose.

I had to slow down a few times to focus on this singular activity during our cruise, which offered a thousand other possible distractions. These half-hour immersions helped to focus me on the real star of the show… our majestic ship and its own journey. Strangely, this headline is easy to miss.

Some people hang at the pool all day to unwind. I apparently like to shoot risky timelapse videos to recharge.

All that matters is you travel your own path to relaxation… and satisfaction.