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How to Connect Fathers and Sons with a Clock, Watch and a Compass

This was my father’s captain’s ship clock. I can remember the sounds of its chimes from when I was a young boy. But after he passed away, I couldn’t find the winding key.

Our son has graduated from middle school. I can’t believe it. Yesterday, he was in diapers. Today, he’s as tall as me. Tomorrow, he’s off to high school.

I wanted to get him a little gift to commemorate this achievement in his young life. I thought back to some of the presents my father had given me, and I remembered an engraved pocket watch when I graduated from high school.

I was a bit confused by it at the time, because nobody used pocket watches. Maybe certain people did when my father was growing up. Certainly, I wasn’t going to carry a pocket watch around. Still, I liked it. And it’s turned out to be a keepsake, which I’ve held onto across the decades since.

My Son’s Engraved Compass
Still, I figured a pocket watch would make even less sense to my son. But it got me wondering. What object or tool could I engrave? And then I thought about a compass. That carries some meaning, right?

Perhaps, an old compass with metal plating that would allow for an engraved message. But where could I buy something like that?

As it turned out, I found it at a local watch and clock repair store. They didn’t officially sell compasses, but the owner happened to have a few from a collection he had purchased.

Clearly, fate wanted me to find my compass. The one I chose had a removable dark metal top cover, which I used as an engraving surface. It was perfect.

Our son liked his gift. But I know its true value as a memory capsule will only reveal itself in the years and decades to come. So, you can check back on this blog in June 2064 to see if he’s still got it. (Apologies in advance that generative A.I. Barrett will obviously be pumping out these posts at that point.)

My Father’s Ship Clock
While I was in the clock repair shop, I took a moment to look around. I spotted two brass captain’s ship clocks. They were just like the one my father had on our living room wall next to his desk when I was growing up in our New York City apartment. It was mounted there for as long as I can remember. He wound it dutifully every week, and it chimed with its confusing nautical ‘chime-the-watch’ design.

The chimes blended into the day-to-day city background noise, and I barely noticed the little ‘bongs’. When I was a teenager, my father eventually stopped winding the clock (I guess he lost interest), and it transitioned into a silent piece of wall art.

After my dad passed away in 2022, I took his captain’s clock home with me. I felt a strong connection to it (in some ways, more than my pocket watch).

But I couldn’t find the winding key. So, the captain’s clock remained silent.

The Key to Lost Sounds
So, I asked the owner of the clock repair shop if he might have a replacement key to my father’s clock. The owner told me to bring it in when I came back for my son’s engraved compass. He would see what he could do.

When I returned, I handed over the clock. He took it over to a big drawer of keys. And then he began trying them out… one key at a time.

He was at it for five minutes, and I was sure he was going to run out of keys. But then I saw one twist that generated the “click, click, click” sound.

Whoa! It was actually working!

He wound the clock, and then he wound the chime mechanism. (They operate separately.) He moved the clock hands about. And then I heard it.

“Bong, bong. Bong, bong. Bong.”

The sounds of those chimes pierced through my body like a wave of temporal energy.

I almost had to take a step backwards. It felt so visceral. I hadn’t heard those chimes in decades. Was I suddenly in a different multiverse or had I time traveled?

Then, I regained control of my senses, and I simply applauded the store owner’s accomplishment.

Holding onto Distant Memories
I walked out of the store with my son’s compass, my dad’s functioning captain’s clock and the key.

In that moment, I recognized that I had crossed into a nexus between three generations. Fathers and sons. I had tethered the past to the future. It felt significant.

I had my old time-keeping devices from my father. Now, our son has his old compass from me, which should hold up just fine (unless unexpected future solar flares or alien invasion mess with the Earth’s magnetic field).

It’s nice that all this old tech still functions, but it’s not really about using these tools. (Digital versions took over years ago.)

It’s about the important memories they help you hold onto through their visual, tactile and audio cues.

Your Message in a Bottle
As a father, I think about this a lot. Usually, my digital family photo archiving is how I direct this energy. My need to document family history.

But photos fade, and digital files may not last into the distant future.

Turns out the engraving on a pocket watch or compass effectively becomes a message in a bottle, floating safely in the ocean to the future.

Yes, it’s old school… but it works.

Why Dark Matter is the Best Multiverse Series on Apple TV+

You don’t have to go back in time to alter your life decisions. You can simply relocate to a better Earth. That’s the premise of “Dark Matter.”

The creatives behind the streaming shows from Apple TV+ are apparently obsessed with alternate universes, or as we like to say… the multiverse. No, multiversal travel isn’t exactly a new storytelling device. (The MCU has already brought it into our mainstream consciousness.) But Apple TV+ has really been leaning into it.

In series after series, Apple TV+ has been taking us down the multiverse rabbit hole.

“For All Mankind” lays out an alternate-reality timeline of the space program. When this series premiered in 2019 with its ‘shocking’ Moon-landing twist with no explanation, I was annoyed. There was absolutely no hint regarding the ‘why’ or ‘how’ of this alternate Earth. Today, I think we’re all finally trained to immediately accept that alternate universes need no explanation.

“Constellation” (2024) spends much of its time ‘suggesting’ that astronauts can slip between alternate realities, but the writers are intent on adding as much confusion to the equation as possible. Pro tip: You really need a note pad to help keep important details straight. The frustration helps to fuel the ongoing ‘mystery’ in the story.

And now, we’ve got “Dark Matter.”

In Search of a Better Reality
“Dark Matter” is designed to explore the road not taken in one’s life. I’m mid-season (6th of 9 episodes) as I write this, and the story surrounding a main character’s mid-life crisis demonstrates that the grass is not always greener. The dark reveal carries much of the storytelling focus. While the human factor is not science-fiction centered, the sci-fi enables everything.

Without giving too much of the plot away, the series stars Joel Edgerton who is a Chicago physics professor forcibly removed from his universe. He then tries to find his way home to his Earth and his wife played by Jennifer Connelly. And yes, you can easily guess who’s tried to replace him to fix a past mistake in his life choices.

But I’m more interested in how the writers are handling the superimposition ‘box’ that powers the travel between similar ‘adjacent’ universes. Once you’re in it, you experience an endless corridor of doors that you can open.

The mystery of where you go and why is more interesting that the pedestrian ‘thriller’ plot devices surrounding whether you can really “know” the person you’re married to.

Still, I like it all. It’s working nicely together.

Similarity to “Sliders?”
The sci-fi of traveling between universes in episodic television isn’t new.

The series “Sliders” (1995-2000) immediately comes to mind. Starring Jerry O’Connell, that show brought its main characters to a different, parallel Earth each week.

The premise was great, and the show had a lot of promise, but it devolved quickly after the writers seemed to stop trying, and the main actors began leaving the series.

How Many Earths Can You Handle?
I can’t imagine that the writers of “Dark Matter” aren’t aware of “Sliders.” But where “Sliders” got hokey, “Dark Matter” couldn’t be more serious. And this is a good thing.

That said, both series rely on coming up with new twists for each new world. “Sliders” ran out of good ideas. And I think “Dark Matter” could also begin to face alternate reality fatigue. Happily, the show seems to be narrowing its focus.

“Dark Matter” is Solid
Which is all to say that I’m pleased so far with “Dark Matter.” While it is character driven, the sci-fi implementation is also interesting.

That said, the series is not without certain gaps. (Why are there boxes in every Earth, even when it’s clear that no one built it?) Plus, we all know where the plot is inevitably leading.

Still, it’s fresh and well done. The first episode takes a little too much time to get its basics in place, but after that, “Dark Matter” easily passes the bingeable-watching litmus test.

“For All Mankind” has always dragged with too much family drama. “Constellation” relishes its own confusion a bit more than I’d prefer. “Dark Matter” strikes the right balance to create a compelling storyline.

I’m happy to report that “Dark Matter” is the best multiverse show streaming on Apple TV+.

Did Star Trek: Discovery Get a Proper Series Ending in Just 15 Minutes?

“Discovery” had only fifteen minutes to wrap it all up after five seasons. That’s certainly a Kobayashi Maru test. This life-long Trekkie shares his experience watching this no-win scenario play out at the end of the final episode.

Being a “Star Trek” fan isn’t what it used to be. Not that being a Trekkie with a phaser was ever especially cool… like sporting a “Star Wars” light saber. I’ve been a Trekkie-nerd all my life, and though there’s admittedly a resurgence of Trek via the several new series on Paramount Plus, “Star Trek: Discovery” has hardly been dominating water cooler chats. (Do those even happen anymore?)

Except for the newest series, “Strange New Worlds,” which somehow captured the magic of the original series, Star Trek hasn’t been ‘must-see TV’ for a long while.

Science fiction fans I talk with admit to having missed entire Star Trek series from decades past and are only now starting to check them out. That says a lot about the cultural state of Star Trek.

Still, I love my Star Trek.

No, I haven’t exactly loved, “Star Trek: Discovery,” but I’ve stuck with it since 2017, through its course corrections and time traveling to reset itself.

Time to Say Goodbye
I reflected last week about how most of the past Star Trek series have had trouble giving us a satisfying final episode.

Now, “Star Trek: Discovery” has streamed its own finale. As part of this extended episode, there’s a closing fifteen-minute epilogue. This sequence was shot two months after season five wrapped filming. And the production on these extra three days of shoots were the only time that the cast and crew knew the series was ending.

So no, there was no gradual way across this final season to wrap up loose ends.

The writers’ mission: Finish “Star Trek: Discovery” in fifteen minutes.

And how exactly did they decide to do that? (Spoilers ahead.)

Answer a Thousand-Year-Old Question
Inexplicably, the writers focused their critical coda on filling a plot hole left behind during the 2018 “Star Trek: Short Treks” episode “Calypso,” which takes place a thousand years in the future.

“Short Treks”? Who remembers any of those?!

Okay, I did find it confusing when I originally watched this mini episode. Zora, our favorite AI voice since Majel Barrett rescues a soldier adrift in an escape pod. The crew apparently abandoned Zora and the Discovery to float into the far future, and no further clues are provided.

It’s a plot gap I never really thought about again, and clearly not one the writers were eager to return to after all these years. I don’t feel there was a huge need to devote any of the last precious minutes of “Discovery” to explain it.

Discovery’s Final Mission
But that’s what happens. The final scene in the series is between Burnham and Zora and explains how the Discovery and Zora get sent on their final lonely mission to wait around in deep space for a millennium. The rest is conveniently shrouded in ‘Red Directive’ secrecy. (So, more questions than answers.)

This same scene is simultaneously tasked with handling the crew goodbyes in a swift pseudo-flashback sequence.

And that’s the series’ conclusion. The whole thing runs about six minutes.

And what about the first nine minutes?

Meet Michael Burnham’s Family
The epilogue begins with ‘Admiral’ Burnham and Book happily living their lives together decades in the future.

It’s well-crafted and takes its time. But this sequence plays like a beginning more than an ending. It could be the intro to a whole new series- “Star Trek: Burnham” (like “Star Trek: Picard”).

But there just isn’t time to introduce us to this new family… not at the expense of everything else.

What about our Discovery family? These are the characters we really want to say goodbye to.

But we don’t get the chance. Not really.

What Happens to the Rest of the Crew?
So, the writers devote the epilogue to explain how the Discovery gets sent to the distant future (not why), and they start with this lengthy love letter to the future Burnham family.

These plot choices rob the Discovery’s crew, who we’re supposed to know and love across these five seasons of getting their satisfying set of goodbyes. Sure, there’s some hugging, but it’s rushed, and the imagined-flashback plot device is a cheat.

To be fair, maybe that’s really all the production had time for with only three extra days of shooting given to them.

And so, the writers chose the Burnham family over the Discovery family.

Angry Trekkie
But I’ve got to tell you, this all feels so unnecessary.

It’s not 1969. Star Trek is not some experimental ‘Wagon Train to the Stars’ anymore.

This established franchise that’s endured for more than a half century deserves better than three days to wrap it up on whatever sets are left standing and then get out of Dodge.

Look, I know that “Star Trek: Discovery” was uneven. And I’ve complained my fair share. I’m not surprised it was time to move on. But this is about ‘how’ they did it.

In the articles I’ve read, the Star Trek PR machine says that everyone involved with the series was ‘satisfied’ with this tacked-on standalone ending sequence.

But I know that’s just spin.

Management
Should I, as a Trekkie, be happy that ‘management’ (to reference a healthier sci-fi series) was magnanimous enough to grant this cancelled series an ending?

Sure. But come on. I think we can do better than this.

Management didn’t have to create an impossible Kobayashi Maru test for the writers.

Fifteen minutes just isn’t enough time for a proper ending.

That’s All Folks
So, they effectively gave it all to our captain and star of the series. And Sonequa Martin-Green indeed did a really nice job with it.

I then watched the U.S.S. Discovery get banished (again) into the future to close a forgotten past plot hole and perhaps satisfy some future, unstated plot requirement. And that was it. Roll credits.

I shrugged.

“Discovery” now joins a long list of Trek series’ endings that underdeliver.

Except for “The Next Generation” and “Picard,” all the rest left me wanting more.

Goodbye “Star Trek: Discovery.” Even though I gave you a hard time across your journey. I was glad to know you. And I haven’t forgotten that you brought Star Trek back to TV.

Live long and prosper… in streaming reruns.