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Category: movies

Why Andor’s Success Makes Rogue One a Better Star Wars’ Movie

I never liked “Rogue One: A Star Wars Story.” Back in 2016, this movie seemingly broke all the rules of traditional Star Wars’ storytelling. It changed the narrative on what it was to be a rebel hero. It was dark. It was bleak. It was depressing. This was not the Star Wars’ movie I wanted.

The truth is I wasn’t ready. A lot of fans weren’t. I couldn’t handle a gritty expansion outside the cozy cocoon of Force-fueled characters.

When the “Andor” prequel series came out in 2022, I first rolled my eyes. What was the point? We knew how it all ends. How can you build a successful prequel based on that?

Well, I could not have been more wrong.

Put “Andor” at the Top of your Disney+ Streaming Cue
“Andor” is arguably the best Star Wars’ vehicle out there. Certainly, the best series. It’s mature. It’s thought provoking. It’s jarring. It’s not really Star Wars as we know the nine core movies. It’s more… Star Wars-adjacent.

And if you don’t already know the premise… it focuses on the early years of the rebel alliance that lead up to “Rogue One” and then the original “Star Wars: A New Hope.”

Headed up by actor Diego Luna, “Andor’s” entire cast is fantastic. Luna plays spy Cassian Andor who is recruited to join the rebellion after a series of encounters with the evil empire. All the characters are properly developed, both the rebels’ and those serving the soul-crushing dark side. That’s because this well-written series takes its time to do exactly that.

They spent a ton of money on this series, and every dollar shows. It’s as cinematic as any of the movies.

Why my Family hasn’t Watched “Rogue One” Yet
For the past two and a half years, I’ve successfully delayed a “Rogue One” screening for our 15-year-old son until after the conclusion of “Andor.” 

Why?

I didn’t want his enjoyment of “Andor’s” two seasons to be marred by the knowledge of what happens next. (He agreed to my subtle but clear warning that we should wait.) 

I worried that he would have that same pit in his stomach as I’ve been carrying about for the past several years.

Throughout the many cliffhangers of “Andor’s” season two, both my son and wife (she hasn’t seen “Rogue One” either) repeatedly asked me about the movie. My only response was simply, “I’m not talking about “Rogue One.” (It became a recurring joke.)

Frankly, I’d been dreading watching the final two episodes of “Andor,” because I thought I knew what would happen to many of the characters.

Wrong again.

Why “Andor’s” Finale is So Good
“Andor” creator Tony Gilroy gave us (minor spoiler alert) an uplifting and satisfying finale that entirely sticks this series’ landing. And it happily broke an unwritten rule that if you don’t see a character in the future story, that spells doom for them today. There are, in fact, other ways to disappear into a galaxy far, far away.

Just as importantly, both seasons of “Andor” provide the necessary backstory to better enjoy “Rogue One.” 

The idea of any rebel alliance can’t be a two-sentence plot point. This one really needed two seasons to fully set up the context and conflict of “Star Wars.”

And with that knowledge, rewatching “Rogue One” will be an entirely different experience.

“Andor” Makes “Rogue One” Better
I’m glad I delayed “Rogue One” in the Lester household for as long as I did. But now, I realize it was never about ruining “Andor” for our son. (I think that’s probably faulty parent logic.) 

Waiting for “Andor” to wrap simply makes “Rogue One” a better movie to watch. 

It’s Finally Time for “Rogue One: A Star Wars Story”
MCU fans often talk the proper order to screen Marvel movies. With “Andor’s” conclusion, I feel the entirety of Gilroy’s work from “Andor” through to “Rogue One” is now required viewing ahead of “Star Wars: A New Hope” (for anyone who’s may have avoided this movie since 1977).

Next up for our Lester movie night at home: “Rogue One: A Star Wars Story.” 

We’re finally ready. And it’s going to be good!

Thank you, “Andor.”

Star Trek: Section 31 Tries to be a Dumpster Fire and Succeeds

If you’ve also been waiting since 2020 to see what happened to Michelle Yeoh’s Emperor Georgiou from “Star Trek: Discovery,” she’s finally reappeared in “Section 31.” Here’s my review of this crazy TV movie.

There’s been a hole in my Trekkie heart ever since the very first episode of “Star Trek: Discovery” back in 2017. My heart broke early in the episode when Starfleet Captain Philippa Georgiou played by the wonderful Michelle Yeoh shockingly died with a Klingon blade to the heart.

More than a plot device, it was a clear message from the showrunners to all Trekkies that the old Star Trek you knew and loved was dead.

I was all set to watch another five-year mission with Captain Georgiou at the helm. But no, that wasn’t the plan. That said, this unexpected Trekkie betrayal also contained a hidden twist… with a lifeline to a future redemption.

It didn’t take that long. Soon we had a mirror universe replacement of Georgiou. And I’ve got to admit that Yeoh’s Emperor Georgiou from the Terran Empire was a blast.

Yeoh was unleashed to embody a delightfully naughty version of Georgiou. Every scene with her was always a bright spot through the entire “Star Trek: Discovery” series until she was banished by the writers through the Guardian of Forever in season 3 (another disappointment).

But wait. Trekkies then heard the producers were going to create a Section 31 series with Yeoh as part of this sinister and secret Federation spy division that has popped up in so many Star Trek series, including “Discovery.”

But no… the series ended up just being a one-off TV movie, which has finally arrived.

Back to the Future
Running just over an hour and a half on Paramount+, this ‘extended episode’ feels somewhat Star Trek adjacent. It’s filled with the quirky characters you might find in a “Guardians of the Galaxy” movie but pulled from the back pages of a “Star Trek” encyclopedia.

When the movie begins, Georgiou has already been transported back to the past a few decades before “Star Trek: The Next Generation.” She’s set up shop running a ritzy space station bar just outside of the Federation. The opening credits explain she had previously joined Section 31 but then disappeared (to apparently follow in the ‘legendary’ footsteps of Quark from Deep Space Nine).

But a threat of galactic proportions sends a Section 31 team led by Agent Alok Sahar (played by Omari Hardwick) to find and re-recruit Georgiou to help save the Federation.

It’s Good to be Evil
Section 31 isn’t as scary an organization as I remember, and the team that finds Georgiou initially acts like a second-rate band of misfit thugs.

Thank goodness they’ve got the ‘evil’ Georgio to save the day. Clearly Section 31 needs her anti-hero vibe to stop a terrorist with an uber-destruction device called the ‘godsend.’

As the story likes to remind us, you can’t escape your past, and so the Terran Empire plays a prominent role in the story.

Warped Sense of Fun
“Star Trek: Section 31” is sometimes clever, but often silly. The writers are clearly Trekkies, but tonally, this story is out of control. The closest parallel might be “Star Trek: Lower Decks.” And that’s a cartoon.

The Terran Empire in the mirror universe used to be the place where the writers and directors allowed the actors to chew up the scenery, but the producers have flipped that equation on its head. Here, all the Terran Empire scenes feel like normal Star Trek. And now it’s the Federation that looks like an extended frat party.

Does that mean “Star Trek: 31” is bad?” Not necessarily. It tries hard to be irreverent, fun and completely over the top. Yes, it’s mostly absurd, which is not your typical Star Trek formula. And you’ve got to be a Trekkie to really appreciate all the hidden references in plain sight.

This movie ends up being an absolute dumpster fire, but intentionally so (both figuratively and literally).

Mayhem with a Touch of Heart
In the middle of the mayhem highlighted by near-constant fighting, shaky camera work and fire spitting out of almost every orifice in the scenery, you can find a small core of Star Trek humanity still aglow. It takes the form of lost love and impossible redemption. This gives Yeoh her only opportunity to stretch her role a bit.

For a movie specifically built for her character, the script doesn’t really offer her enough and instead needs to focus on the new characters, especially due to all the twists in the plot.

Plus, the script requires the film to burn precious minutes with an opening Terran Empire flashback sequence featuring a younger Georgiou played by Miku Martineau.

A Guilty Pleasure
The final scene with our newly congealed team feels like any TV series’ pilot, and as Shatner’s Kirk liked to say, “There are always possibilities.”

Is this gritty, crazy but imperfectly lightweight “Star Trek: Section 31” good enough to stream?

Sure.

It’s a nice diversion… perhaps even a guilty pleasure. And it’s always great to watch the awesome Michelle Yeoh. And yes, I could get used to spending more time with the new characters, who thankfully became more likable by the end of the movie.

No Future for “Section 31?”
But is “Star Trek: Section 31” deserving of getting its own sequel ahead of the non-greenlit “Star Trek: Legacy” spinoff from “Star Trek: Picard?”

I’m not totally feeling it, and no sequel has been announced. But it doesn’t matter, because we’re all going to “Star Trek: Starfleet Academy” soon enough with Holly Hunter and Paul Giamatti.

Happily, next up is season 3 of “Star Trek: Strange New Worlds.”

Hit it.
(please)

Why Silo is Still the Best Dystopian Future Series on Apple TV+

The drip/drip goodness of “Silo” is what has made this science fiction series so gripping. But the remaining coffee in season’s 2 has grown a bit cold. Here’s why I don’t think that matters.

Season 1 of “Silo” on Apple TV+ was riveting. The element of mystery headlined its success more than its science fiction or action genre. Based on Hugh Howey’s trilogy of novels, this series has moved slowly and shares the details of its crushing underground future for humanity with a timed precision that keeps you guessing what’s really going on in this dystopian society.

Underground Confusion
As the viewer, you’re almost as clueless as the population of 10,000 living underground, protected from a supposedly toxic and dead world up top.

The series stars Rebecca Ferguson as an engineer who tries to uncover the truth and Tim Robbins as one of the ‘elites’ who will do anything to maintain order for their fragile existence. Deception? Yes. Betrayal? Absolutely. (Just another day at the Silo offices.)

“Silo” also benefits from a great ensemble cast, a few of whom (spoiler alert) I wouldn’t get too attached to.

This Apple TV+ series’ first season was filled with surprising twists up until the very last shot of the final scene.

Season 2
As I write this, I’m seven episodes through season 2’s ten. Beyond the first episode where the mind-blowing payoff happens after last season’s cliffhanger, the series settles into more expected patterns of a story about controlling a mini society with limited resources. Now that the map of this reality’s facts is much clearer, the story of rebellion and the search for the truth has been somewhat less interesting.

Yes, there’s a new mysterious character played by Steve Zahn. And we’ve still got a few lingering questions plus a couple new ones, but they all hardly seem as significant as the ones already answered. (I could be wrong.)

The Truth is Out There
“Silo” has been strongest when it’s doled out its key details in small but meaty portions much like the groundbreaking “Lost” and “The X-Files” series. Though they’re all action shows, what make them special is their mystery.

Often the answers don’t live up to the hype surrounding the questions. That was certainly the case with “Lost” and “The X-Files.” Happily, “Silo” hasn’t suffered the same fate, ironically because it’s seemingly gone through many of its twists during its freshman season. And the uncomfortable answers have been entirely satisfying.

But now what?

Slow but Sure
It’s just been reported that “Silo” has been renewed for two more seasons with its fourth being its last.

So, we’re not even halfway through yet? Clearly, I’ve been unnecessarily impatient during this sophomore season. I imagine there must be more freaky goodness to come.

Still, that doesn’t change the fact that season two has been slower. Sure, there’s been plenty of action, but it feels like the middle episodes with split storylines have been biding their time.

But I’m not going anywhere.

What’s Around the Corner?
“Silo” is worth waiting for. Both Ferguson and Robbins are so great. And though the story would seem to be currently following a predictable path, I have a hunch that will change in the not-too-distant future.

I think I smell a fresh pot of coffee ready to be served up.