At Home with Tech

Unlock the power of all your technology and learn how to master your photography, computers and smartphone.

Category: photography

How to Spend 30 Minutes to Take the Edge Off a Work Trip

If you’re online at sunrise, don’t forget to turn around and appreciate the sunrise outside your hotel window.

Work trips can be stressful. Even if you appreciate the opportunity, working long hours for consecutive days in a different time zone can wear on even the most experienced traveler.

So often, I hear stories from colleagues who have returned from their travels, and they lament that they never were able to escape from their work environment and appreciate the location they’ve visited.

I say there’s always an opportunity to squeeze in a few minutes to get outside and smell the roses. You just need to be planful and allow yourself a little time to pull away from the gravity of your work requirements.

Take a Half Hour to Refuel
Thirty minutes is all you really need to walk about and see your environment. Really experience it.

Do it during lunch. Take a break. Perhaps start your day a little earlier. If you can’t find 30 minutes… or the time to take two 15-minute breaks, then there’s likely another issue to address.

If you want to maximize these moments, you might want to take a few pictures along the way. You certainly don’t have to, but if you like searching for cool photos during your day-to-day, your walk might reveal exactly that.

The Healing Properties of a Micro Excursion
Whether you want to connect with your space, take a photo or just clear your head, carving out 30 minutes for a ‘micro excursion’ is one of the best ways to feed your sense of well-being.

It can make all the difference.

Here’s what I spotted during my own stroll in Palm Desert, California during a recent work trip. I used my iPhone 15 Pro Max for close ups and my Panasonic Lumix DC-ZS200D for the zoom.

Is the Lifetouch Digital Package for your Child’s School Photo a Good Deal?

After your kid’s school picture day, it’s time to choose which photo package to buy. Here’s how to figure out what might be best for you.

I have a confession to make. I have dozens of unused Lifetouch school photos of our son still sitting in their original envelopes. They span back over a decade of my middle schooler’s life. What happened?

Quite simply, I ordered more photos than I needed. Each year, I’ve really tried to order to right package for my family. But the truth is the package configurations are supersized with options I don’t need. I’ve never wanted those little 2×3 wallet photos to give out. (Doesn’t a digital picture on a smartphone serve the exact same purpose?)

Sure, an 8×10 print is nice. Even a couple of 5×7’s. But really, it’s the digital file that’s most important to me. Then, I’ve got the keys to do exactly what I want with it. I don’t really need a photo factory churning out a high volume of prints for me. (Caveat: I’ve got a smaller family.)

But of course, Lifetouch wants you to buy prints. That’s their profit margin. So, the digital file is difficult to isolate.

Welcome to the Digital Landscape
Now, Lifetouch (owned by Shutterfly) offers their new Digital Only Package.
Yay! But wait…

It contains two digital versions of the exact same photo. One has the standard blue background. The other offers the background of your choice.

You also get the option to stamp your kid’s name and grade on the front, and the option to allow a Lifetouch artist to retouch your kid’s photo to ‘improve’ it.

Really?

Keep it Real
So, I don’t really want or need a buffed-out photo of my 13-year-old son. He’s perfect. And I say that every kid is perfect. There’s no need to change anything. Seriously. I understand why a parent might want to improve a photo, but that’s not the way your kid looked in that moment.

If you’re buying school portraits every year, like I’ve done, I think it’s best to think of them as a progression of a child’s life over time. That’s their ultimate value. We all have thousands of photos of our children that we’ve taken ourselves. We don’t really need another photo.

But taking the same photo year-over-year… and then putting them together in a montage… I find that’s a magic equation to help tell the story of a person’s early years.

The Basic Package
For $19.99, the Basic Package offers plenty for most needs (unless you have a large family). You get the digital photo file with the basic background (forwarded to your Shutterfly account). Plus. you receive a few prints:

  • 2 – 5×7
  • 2 – 3×5
  • 4 – 2×3

The two 5×7’s are useful, and I can pop them in frames. The rest will sit in the envelope forever.

Still… spending twenty bucks for a portrait, the digital file and a couple usable prints is a good deal.

The Digital Only Package
For $36.99, the Digital Package still only gives you the one portrait. Sure, they say they give you a second digital file with a different background. And that’s true, but I don’t feel that almost doubling the price is worth it for the exact same picture of your child.

No, I don’t need the ‘premium’ touch up treatment, thank you very much.

And I absolutely don’t want his name and grade burned into the image of the digital file. That’s really limiting for future use in my own photo montages of him that I may create. (I just want the ‘clean’ photo.)

Basic is Best
If you compare the two packages and strip away the undesirable pieces, the Basic Package gives you more. You get the digital portrait plus a few hard copies.

The Digital Package effectively gives you the same digital portrait. And that’s it. For almost double the cost.

So, this year, I’m buying the Basic Package.
Click.

Barrett’s Suggestion for Lifetouch
If I were to design a Digital Only Package that I would want to purchase, it would contain four digital files.

  • 2 digital files with the background of my choice
  • 2 duplicate files with the name and grade burned into the image
  • Optional premium retouching service (if you insist)
  • $29.99

You’ve got to believe that eliminating the printing/packaging/delivery costs of physical prints is a huge savings for Lifetouch. Why not beef up the Digital Only Package a bit and bring the price down?

Food for thought, Lifetouch…

How to Organize Vacation Photos to Tell a Complete Story

This is the start of our recent trip to Alaska. Here’s why this type of ‘reference photo’ is so important when you want to curate a complete visual story of your vacation.

After a family vacation, I always like to go through my photos and pick out the very best ones. Actually… the best few. (And that’s usually harder to do than you might think.) They’re the ones that really tell the story. And I’m talking under 40-50 pictures.

If you’ve tried a similar exercise, you know what a challenge this can be. Sure, creating a photo book with hundreds of your vacation photos doesn’t require you to choose from all your darlings. But if you’re going to simply show off your photos from your phone to family and friends, their eyes will quickly glaze over after only a dozen of your finger flips.

You’ve got to keep your presentation short. And you should choose the pics that go well together and represent the total arc your trip.

Ideally, they should also visually represent the key information about your travels. Sure, you can audibly fill in the details through a little voice-over support as you share your pictures in the moment. But I think the best collections of family travel photography don’t require that. The photos should stand on their own.

The 3 Categories of Vacation Photos

To create the best collection of vacation photos, you’ll need to take and include three types of shots.

#1 – The Money Shots
It’s obvious that you’ll want to show off your ‘money shots.’ These are your best photos of the ‘place’ you’ve visited. Whether it’s the natural beauty of the wild or a famous urban landscape, those are the photos that anchor your entire trip.

#2 – Your Selfies
And then we all know to snap some selfies along the way (or ask a friendly tourist to take a posed shot of you and your family). You’ve got to include a few of those shots in your collection, right? That’s what makes it your trip.

#3 – Reference Shots
This third category isn’t intuitive, and you’re not going to realize you really need them until you try to put your collection together. I call them reference shots. Think of them as the thread that stitches your whole photo story together. In many ways they’re like an establishing shot in a movie.

These shots provide the context you’ll want for your other photos.

The Boat
For example, on my family’s recent vacation to Alaska, we went on an amazing day cruise on Prince William Sound to get up close and personal with a few glaciers. It was incredible. So sure, I got tons of shots of the glaciers and some shots of my family posing in front of the glaciers. But I almost forgot to get a shot of the boat we were on.
The boat was really a big part of the story… We were on Prince William Sound… and cruised right up to a glacier… and there we are… on this boat. It’s so important to complete the visual sentence.

The Trailhead Marker
Another example: We took the hike of a lifetime right next to Exit Glacier in Kenai Fjords National Park up the Harding Icefield Trail.
The money shots were a couple hours away up the trail, but I intentionally dragged my feet at the beginning of our hike to let everyone in our Backroads group walk ahead of me as I shot the trailhead marker that contained the key details.

The Name of the Place
Ideally, it’s great to find a shot that includes the actual name of your location. That’s so helpful, especially as an opening shot for your visual story.
I found my ‘Alaska’ shot spontaneously as we were biking the Bird to Gird path along the Turnagain Arm. Suddenly an Alaska Railroad train roared by. I braked, grabbed my camera from my belly bag and snapped my photo!

Set Up your Visual Story
These reference shots are easy to forget. But they’re the glue to help group together all your other photos and represent a complete story.

In the same way that any written story has a beginning, middle and end, so should your collection of vacation photos.

Whether you think of them as ‘reference’ or ‘set up’ or ‘establishing’ shots, just a few of them can serve this need exceptionally well. You just have to be mindful to find them along the way.

Don’t Dilly Dally
And if your traveling companions glance at you quizzically the next time you take an extra few beats to snap one of these shots, just remember the value they represent.

Even through you might then have to hoof it to catch up to the rest of your group (guilty), it’s worth it.

Just don’t take too long. Otherwise you’ll risk falling too far behind your own story!