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Category: photography

Consider these Factors When Asking Friends to Take Photos at Your Big Party

Over the years, I’ve occasionally been asked by family and friends to take photos during their celebration event. I’m not a professional photographer, but yes, I’ve got a decent camera that can shoot RAW, and I’ve been known to snap a good picture or two.

I’ve also leaned on friends to take photos during similar moments. Who hasn’t done this? (Today’s phones take great photos.)

Besides, it’s expensive to hire a professional photographer. When literally everyone at your party has a camera, why would you need to bring in a pro?

Well, sometimes you don’t. But it’s also important to recognize the flip side of the equation.

If you’re going to stick with a volunteer camera crew solution, here are the critical variables you should not leave to chance.

There Can Be Only One Official Camera
You may not have a hired photographer. But for a variety of reasons, which I’ll get into, someone in your crowd must serve the same ‘alpha’ camera role.

That doesn’t mean your other friends still can’t snap photos for you. In fact, that’s likely going to happen regardless.

Spray and Pray
Here’s the problem. When everyone has a shared responsibility. Nobody has individual responsibility. And that can create major gaps in your photographic coverage. 

As a result, even with hundreds or thousands of photos taken, you may still not get the ones you really want.

Group Portraits and Your Paparazzi
When more than one photographer is there to capture your group portrait shots, nobody in that group will know exactly which camera to look at and when. 

Even if you have an ‘organizer’ trying to direct everyone’s attention, it’s never going to be perfect. There are already too many distractions. 

And that will almost certainly guarantee many of those portraits (or worse) will be useless, because someone is looking off camera.

Remember, one ‘alpha’ camera. That’s all you really need in that moment.

Go let your paparazzi eat more hor d’oeuvres.

Dimly Lit Rooms and Blur
Yes, today’s cameras are amazing. Even the ones crammed into our phones. But they can’t handle every situation, especially in low light when there’s a lot of motion. 

People like to dance and move around at parties. And when the lights are turned down to enhance the party mood, the people in those photos are likely to look blurry. You need some serious ‘glass’ to freeze the action in low light. (I sadly need to remind myself of that limitation every so often.)

So sometimes, you require a flash in the room as the solve. But to avoid annoying everyone, only the ‘alpha’ camera should have the flash.

Conversely, if you want better photos from your volunteer team, turn up the room’s lighting a bit more. (Everyone will thank you.)

Where Does the Buck Stop?
As I’ve mentioned, with multiple volunteer photographers, you still may not catch all the highlights. Moments happen quickly. If you miss them, there’s no second chance. 

You don’t need every moment. Just the few that matter most. And again, one volunteer with the ‘alpha’ camera must own the responsibility to get you those for you. 

Yes, that may inevitably take a little time away from that guest’s ‘partying’ enjoyment. Both of you should have this understanding, and it doesn’t have to be a problem. (I’ve greatly enjoyed owning this responsibility.)

But when absolutely everyone is enjoying cake, nobody is snapping photos.

How to Have Your Cake and Eat It Too
Sure, lots of volunteer photographers will get a variety of interesting shots your ‘alpha’ photographer will inevitably miss. And that’s why there’s nothing wrong with all your other friends taking photos too.

It doesn’t have to be an either/or situation.

But it does need to be both.

Don’t Play the Odds
I learned this lesson the hard way at my own wedding. We didn’t hire a professional photographer and instead asked a few friends to help out. (And I really appreciated their support.)

We received many hundreds of photos. But honestly, a lot of them were unusable for the all the reasons I’ve discussed.  And those few key moments that mattered most?

Well, happily, yes… someone captured them successfully. But if you were to review the totality of all our pictures, you would also conclude the odds only narrowly favored us that day. It could have gone much differently. 

Lessons from Experience
The presence of many cameras in a room will democratize the responsibility of photographing your event. That’s the problem.

Ultimate responsibility needs to fall to one single source of photograph truth. And that person needs to know it.

This doesn’t mean you always have to pay for a professional photographer. (Though it’s a good way to get the job done right.) But yes, there has to be someone in your crowd who effectively is playing the same role. 

And of course, it’s lovely to receive everyone’s else’s photos as well. (There will be some great ones.)

This two-step strategy will go a long way to ensure success.

You’ll maximize the opportunity that comes with having dozens of cameras snapping away, while also preventing the disorganization that can develop without having an appointed ‘alpha’ camera in place.

A little planning can make all the difference.

The Carnival

When the carnival comes to town, are you giddy, or do you roll your eyes? I’ve just changed my perspective on this communal experience. Here’s why I’m no longer rocking my grumpy pants. 

I have a complicated relationship with carnivals. When I was in college, I worked on a short video called “Carnival Closed.” It was about the cruel irony behind the facade of fun. We shot our faux-documentary at the sight of a packed-up carnival. The rides weren’t exactly abandoned, but they could have been. Our narrative for this little piece admittedly was over the top and intentionally absurd. But our little doc had its point. And it’s stayed with me all these years.

Fast forward to the early days of my career in Massachusetts. I again found myself attached to a video production surrounding the life of a traveling carnival. It wasn’t my project, but I went on a couple of video shoots for this documentary. It was more grounded in reality. Or it tried to be.

How real is any carnival? Projecting the pretense of fun, it’s designed to deceive, shake you till you throw up, sell you food that should kill anyone in sufficient quantities and take as much of your money as possible. And in the rare instance, you could have the misfortune of getting injured or worse.

What a deal.

But in today’s 21st century world of slick tech and shrinking social, in-person interaction, the creaky, in-person world of carnivals, is seemingly going strong.

The siren song of the carnival still pulls in its crowds. Why is that?

Norwalk Oyster Festival
I think a big piece is the social aspect. It’s still a fun, analog way to spend an afternoon with family and friends in your own town.

After a number of years away, I recently attended the Norwalk Oyster Festival with my wife and teenage son. And against the long odds I’ve attached to this experience, I surprisingly had a fabulous time.

So, what happened? Well, I think the question is what happened to me.

How Much Does It Really Cost?
After we walked through the gates and paid the $15 per person admission fee, I was confronted with arithmetic confusion. We tried to figure out how many tickets we needed to buy for the rides we wanted to go on. It was a baffling process, as none of the rides posted how many tickets were required. Our son helpfully suggested that we could probably use any unused tickets at next year’s festival. 

I shot back that I highly doubted that. He asked why.

I said, “It doesn’t fit the Pirate Code.”

Pirate for a Day
So yes, I have bias here. And while my thoughts are not especially supportive of the carnival business model, I also feel they’re a back-handed compliment.

Because deep down, don’t we all want to be a pirate, if only for a few hours?

That sense of freedom without following any rules. The hope that with a little luck, you can win your big treasure… and beat the system. Yes, that’s part of what any carnival sells.

And its arguably more attractive today than ever.

Who cares if you have few extra tickets left over? What’s more important is the fun.

The Weather Clears
I used to scoff at the required spend for a few hours at a carnival. But now, with more perspective, I see that it’s actually not such a bad deal compared with the cost of spectator events like baseball or a concert.

And as always, this is mostly about mindset. That’s what really frames anyone’s experience.

We decided to attend the last few hours on the final day of the Norwalk Oyster Festival. It had been raining for the past 24 hours, and the skies were finally clearing. That’s when we headed out.As we arrived, the sun started to break through as if to welcome us. 

Later, we watched a brilliant sunset as the storm front continued to depart. The colors of the clouds were spectacular, and the cool edge of a September evening felt wonderful.

Communal Joy
We went on a few rides, and my wife and I rode the Ferris wheel, which was surprisingly romantic. 

Yes, we ended up with a couple extra tickets, and we happily handed them over to a mother and daughter who were short a few. Then, we walked over to the line of food vendors and had a yummy dinner. We enjoyed the fresh air, and we listened to a bit of music from the live band under a tent.

Not bad for a late Sunday afternoon.Microsoft Copilot tells me that “the carnival remains an enduring symbol of communal joy, creative expression, and the age-old human desire to celebrate life’s abundance before the solemnity of fasting and reflection.”

Yep.

We’re All Children at Heart
So, I no longer view the carnival with the same lens of caution as my younger self used. 

Sure, my original concerns are relevant. But my fresh Norwalk Oyster Festival experience reminds me how much fun it is to join a pirate crowd on a late Sunday afternoon. 

Said another way, visiting a carnival can always be a good way to feed your inner kid, no matter your age.

As I consider my own evolution and change of heart, I’m happy to report that I would title my next documentary on this topic, “Carnival Open.”

How to Turn Your iPhone into a Microscope for Incredible Close-Ups

Sure, the cameras in iPhones are remarkable. They’re so good, in fact, that they’ve effectively destroyed the compact camera market. Who needs to carry around another device, when your iPhone (or any smartphone for that matter) can do it all? They’re built with multiple lenses with different focal lengths. They’ve got software magic to digitally add in bokeh (blurry background). And you can instantly share your photos everywhere. What more could you possibly want?

As it turns out, the camera sensors in newer phones are even more powerful than those amazing little lenses. What if you could attach an even better lens on top of the phone’s lens (like a pair of distance or reading glasses)?

Well, you’d capture an even better image. And would that really matter to anyone?

Attach an Add-On Lens to Your iPhone
So, yes, our phones may have rendered all consumer-grade point-and-shoot cameras obsolete. But there’s still the mirrorless/DSLR camera market with premium lenses costings thousands of dollars. Can phones compete with that kind of gear? 

No, not quite yet. Not for the professionals. (Well, not for all professionals.)

There are some who’ve decided to pressure-test my question. They’ve explored optional upgrades to their iPhones with add-on lenses to create a more cinematic image.

And you can too.

Use an iPhone Case with Special Lens Mounts
When you read a story about a movie shot exclusively with an iPhone, it’s never just the iPhone doing all the work. 

If an iPhone were a Star Trek filmmaking device assimilated by the evil Borg, there would be numerous metallic attachments awkwardly bolted into each corner to enhance every capability. Fortunately, reality offers a more elegant solution that begins with a slickly-modified iPhone case.

Last time, I searched for a new iPhone case to better protect the camera lenses on my iPhone. I chose the SANDMARC iPhone Pro case, because it nestled the three lenses under an aluminum frame built into the case. (This offers much better protection than most iPhone cases out there that leave that space wide open, save for a little raised lip.) 

But wait. There’s more….

This aluminum frame also doubles as a screw-in lens mount for a variety of add-on lenses that you can buy to enhance you’re iPhone’s camera skills.

SANDMARC Microscope Lens
Though I wasn’t originally looking to explore extra lenses for my iPhone, curiosity, of course, got the better of me once I decided on my new case. (If you’re shopping, there are also other brands in this market.)

SANDMARC offers a variety of add-on lens: 3 telephoto lenses, an anamorphic (for filmmakers), wide, fisheye, macro, and microscopic.

I was originally focused on the macro lens to enhance my flower photography, but my old Panasonic Lumix LX-10 camera can already focus in relatively tight. So, I took a closer look at SANDMARC’s 40x Microscope Lens.

It’s compact and screws easily onto the mount for the 1X iPhone lens.

You Have to Get the Lens Really Close
You need to place this lens literally on top of the object you’re shooting. So close, in fact, that the lens rim has to actually touch it, blocking out most ambient light. Because of this limitation, the lens is built with a little circular (rechargeable) LED to illuminate the shot. Clever.

I figured that since this type of photography is an area I haven’t been able to explore with my current gear, I embraced my inner Ant-Man and decided to buy this cute microscope lens.

A Whole New World is Revealed
So, I screwed my new lens into my iPhone Pro Case from SANDMARC and went to work. 

The results were instantly remarkable. It’s amazing what this little lens can capture. It revealed a whole new world as it peered deep into both natural and man-made objects. This lens has a narrow, fixed focus range. So, you just have to keep that in mind as you frame your shots. Here are some examples I just shot.

10 iPhone Photos Using My Microscope Lens

Game-Changing Photos for a Fraction of the Cost
Whether you go microscopic, macro or telephoto, most of these add-on lenses range between $100-$200. That’s a totally different price point than many lenses for mirrorless/DSLR cameras. Those more traditional lenses range from hundreds to thousands of dollars for ‘good glass.’

These iPhone lenses may not be quite as good, but they do offer a whole lot. (My new microscope lens is a game-changer.) And for the price point, it’s a great value.

Back to the Future
For most of us, iPhones offer the perfect camera solution for our daily needs. But you can still level up your shots if you strap on a better lens.

There’s a certain irony to all this, as we’re effectively building back to what we already had before wafer-thin iPhones… a bulkier camera with a protruding lens.

I still think that’s okay, and this is all rather ingenious.

iPhone camera magic can only take you so far. Sometimes, you’ve still got to go old school to get the shot with a better lens.

And this is a cost-effective way to do exactly that without having to leave your iPhone ecosystem.

Brilliant.