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Category: Star Trek

Why Star Trek: Strange New Worlds Season 3 Continues to Hit It

The crew of the Starship Enterprise is back! After what feels like a century-long break, season 3 of “Star Trek: Strange New Worlds” has finally arrived on Paramount+. I’m not sure why the producers waited so long (season 4 is already in production), but I couldn’t be happier.

Putting the Band Back Together

If you’ve been stuck somewhere in the Guardian of Forever, you may not know that “Strange New Worlds” is the Back to the Future of Star Trek. It chronicles the voyages of the Enterprise immediately before the saga of Captain Kirk and his crew. This crew is led by Captain Christopher Pike (played by Anson Mount), but we already know many of the characters. 

Ethan Peck is Spock. Celia Rose Gooding plays Nyota Uhura. Rebecca Romijn is Number One (originally seen in 1966’s “The Menagerie” episode). Jess Bush plays Christine Chapel, and Babs Olusanmokun is Dr. M’Benga (who was in two episodes of the original series).

There are also new characters on the bridge, including La’an Noonien-Singh (Christina Chong) and Erica Ortegas (Melissa Navia).

And some familiar characters have joined the series along the way: Martin Quinn as Scotty and Paul Wesley as Lt. James T. Kirk. 

Returning to the 23rd Century Never Felt So Cool
“Strange New Worlds” is inevitably bound by Star Trek canon but does a remarkable job not being incumbered by that limitation. In so many ways, the show embraces its roots. Sure, the writers (and designers) push the canon edges a bit, but not so much that a Trekkie would cry foul. 

Of course, the bridge of the Enterprise looks more high tech, but the same floor plan is still in place. Of course, the CGI shots of the ship look significantly different than the five analog shots we repeatedly saw during the original series. There must be a team of talented art directors for “Strange New Worlds” regularly declaring, “You think that shot of our NCC-1701 was cool? Well, take a look at this!” They’re clearly having way too much fun.

No Dystopian Future Here
And fun is the key ingredient that permeates throughout this entire prequel series. The writers have also given a lot of time to the ensemble cast, and the series is stronger for that reason.

“Strange New Worlds” shines by capturing the optimistic and entrepreneurial spirit of the original series. This success has also enabled the series to take a few really big creative swings. (I’ll leave it at that.)

Fate Fuels this Series
But this series is not without its serious side. Most significantly, this Captain Pike (minor spoiler) learns his unfortunate fate in the not-too-distant future, and season 1 deals with that theme.

Just as importantly, we know the future for many of these characters. And for the new ones who don’t show up later in the timeline… well that doesn’t necessarily bode well for them. (The series has already killed off one major character.)

There’s already a sense that time is beginning to run out before we get to the end of this beginning. (More on this later.)

Lt. James T. Kirk
But happily, we’re not there yet. The series is acutely self-aware of these variables and the writers have clearly embraced the challenge of how to maximize the impact of fate for this show. 

But that factor hasn’t limited the writers either. They’ve discovered and explored plenty of storytelling opportunities within the strict limitations of Trek canon. This has been most apparent with the re-introduction of Kirk. The original series makes no reference to Captain Kirk’s adventures with Pike, other than they knew each other. But that’s enough.

Season 3 Starts Strong Enough
As I write this, I’m four episodes into season 3. I can’t say I’ve been blown away by the scripts from a science fiction perspective. (Episode 3 was about zombies.) But the series’ existing strengths have sufficiently carried each episode.

Plus, if you’re a Trekkie, there have been some huge additional payoffs.

Season 3, Episode 2 – “Wedding Bell Blues”
This is a fun episode, if not a little silly (but also bittersweet). 

More significantly, the writers finally answer the question decades in the making whether Trelane (originally seen in 1967’s “The Squire of Gothos” episode and now played by Rhys Darby) is a confirmed Q.

Spoiler: He is.

Season 3, Episode 4 – “A Space Adventure Hour”
The plot is effectively a retread of holodeck episodes from “The Next Generation.” But it’s still an instant classic. The opening minutes are simply priceless. It’s a spoof on bad science fiction from the 60’s. And a parody on “Star Trek” itself. And stunningly, it takes a huge jab at William Shatner’s acting. Wesley effectively does his own Shatner impression. 

It’s wonderful without being mean-spirited. And this scene definitively answers a lingering fan question why “Strange New Worlds” Jim Kirk hasn’t tried harder to imitate Shatner’s Kirk.

This episode (directed by Jonathan Frakes) also cleverly offers its own commentary on the success and failure of the original “Star Trek.”

Fresh and Confident
“Star Trek: Strange New Worlds” is so self-aware. It needs to be. But it hasn’t had to tip toe as it travels uncomfortably close to own predecessor. (successor?) In fact, it charges through this space, both creatively and respectfully.

It knows this story is not about the end. It’s about the journey.

Only a Five-Year Mission
But as Paramount+ has announced that we’re only getting five seasons, I can’t help but feel the pressure that the end isn’t far away. This makes each remaining episode that much more important.

“Star Trek: Strange New Worlds” may not live long, but it certainly continues to prosper.

So, let’s “Hit it!”

Star Trek: Section 31 Tries to be a Dumpster Fire and Succeeds

If you’ve also been waiting since 2020 to see what happened to Michelle Yeoh’s Emperor Georgiou from “Star Trek: Discovery,” she’s finally reappeared in “Section 31.” Here’s my review of this crazy TV movie.

There’s been a hole in my Trekkie heart ever since the very first episode of “Star Trek: Discovery” back in 2017. My heart broke early in the episode when Starfleet Captain Philippa Georgiou played by the wonderful Michelle Yeoh shockingly died with a Klingon blade to the heart.

More than a plot device, it was a clear message from the showrunners to all Trekkies that the old Star Trek you knew and loved was dead.

I was all set to watch another five-year mission with Captain Georgiou at the helm. But no, that wasn’t the plan. That said, this unexpected Trekkie betrayal also contained a hidden twist… with a lifeline to a future redemption.

It didn’t take that long. Soon we had a mirror universe replacement of Georgiou. And I’ve got to admit that Yeoh’s Emperor Georgiou from the Terran Empire was a blast.

Yeoh was unleashed to embody a delightfully naughty version of Georgiou. Every scene with her was always a bright spot through the entire “Star Trek: Discovery” series until she was banished by the writers through the Guardian of Forever in season 3 (another disappointment).

But wait. Trekkies then heard the producers were going to create a Section 31 series with Yeoh as part of this sinister and secret Federation spy division that has popped up in so many Star Trek series, including “Discovery.”

But no… the series ended up just being a one-off TV movie, which has finally arrived.

Back to the Future
Running just over an hour and a half on Paramount+, this ‘extended episode’ feels somewhat Star Trek adjacent. It’s filled with the quirky characters you might find in a “Guardians of the Galaxy” movie but pulled from the back pages of a “Star Trek” encyclopedia.

When the movie begins, Georgiou has already been transported back to the past a few decades before “Star Trek: The Next Generation.” She’s set up shop running a ritzy space station bar just outside of the Federation. The opening credits explain she had previously joined Section 31 but then disappeared (to apparently follow in the ‘legendary’ footsteps of Quark from Deep Space Nine).

But a threat of galactic proportions sends a Section 31 team led by Agent Alok Sahar (played by Omari Hardwick) to find and re-recruit Georgiou to help save the Federation.

It’s Good to be Evil
Section 31 isn’t as scary an organization as I remember, and the team that finds Georgiou initially acts like a second-rate band of misfit thugs.

Thank goodness they’ve got the ‘evil’ Georgio to save the day. Clearly Section 31 needs her anti-hero vibe to stop a terrorist with an uber-destruction device called the ‘godsend.’

As the story likes to remind us, you can’t escape your past, and so the Terran Empire plays a prominent role in the story.

Warped Sense of Fun
“Star Trek: Section 31” is sometimes clever, but often silly. The writers are clearly Trekkies, but tonally, this story is out of control. The closest parallel might be “Star Trek: Lower Decks.” And that’s a cartoon.

The Terran Empire in the mirror universe used to be the place where the writers and directors allowed the actors to chew up the scenery, but the producers have flipped that equation on its head. Here, all the Terran Empire scenes feel like normal Star Trek. And now it’s the Federation that looks like an extended frat party.

Does that mean “Star Trek: 31” is bad?” Not necessarily. It tries hard to be irreverent, fun and completely over the top. Yes, it’s mostly absurd, which is not your typical Star Trek formula. And you’ve got to be a Trekkie to really appreciate all the hidden references in plain sight.

This movie ends up being an absolute dumpster fire, but intentionally so (both figuratively and literally).

Mayhem with a Touch of Heart
In the middle of the mayhem highlighted by near-constant fighting, shaky camera work and fire spitting out of almost every orifice in the scenery, you can find a small core of Star Trek humanity still aglow. It takes the form of lost love and impossible redemption. This gives Yeoh her only opportunity to stretch her role a bit.

For a movie specifically built for her character, the script doesn’t really offer her enough and instead needs to focus on the new characters, especially due to all the twists in the plot.

Plus, the script requires the film to burn precious minutes with an opening Terran Empire flashback sequence featuring a younger Georgiou played by Miku Martineau.

A Guilty Pleasure
The final scene with our newly congealed team feels like any TV series’ pilot, and as Shatner’s Kirk liked to say, “There are always possibilities.”

Is this gritty, crazy but imperfectly lightweight “Star Trek: Section 31” good enough to stream?

Sure.

It’s a nice diversion… perhaps even a guilty pleasure. And it’s always great to watch the awesome Michelle Yeoh. And yes, I could get used to spending more time with the new characters, who thankfully became more likable by the end of the movie.

No Future for “Section 31?”
But is “Star Trek: Section 31” deserving of getting its own sequel ahead of the non-greenlit “Star Trek: Legacy” spinoff from “Star Trek: Picard?”

I’m not totally feeling it, and no sequel has been announced. But it doesn’t matter, because we’re all going to “Star Trek: Starfleet Academy” soon enough with Holly Hunter and Paul Giamatti.

Happily, next up is season 3 of “Star Trek: Strange New Worlds.”

Hit it.
(please)

Don’t Tell Anyone I’m Watching Star Trek: Prodigy 

“Star Trek: Prodigy” is a kids’ show also made for adult Trekkies. Here’s why season 2 is so good.

It’s not logical. But they keep making animated versions of Star Trek. In yet another example, Netflix picked up the cancelled “Star Trek: Prodigy” from Paramount+ and has given us season 2.

Clearly intended for kids by Nickelodeon Animation and CBS’s Eye Animation, “Prodigy” focuses on a group of teens having the same types of Trek adventures usually reserved for the adults in the captain’s ready room.

Talk about watering down a classic science fiction property. Sounds insulting, right? But surprisingly, it’s not.

Star Trek: Prodigy
The writers are clearly Trekkies and have made full use of Federation history. They dig deep and bring back details and characters we all know and love… assuming you’ve been paying attention across these past decades.

The younger target audience couldn’t possibly catch all the easter eggs. Only the adults in the living room will appreciate all the Star Trek references.

And that’s why this series works so well for all ages.

Star Trek: The Animated Series
I must admit I’ve never entirely understood the whole Star Trek animation thing. The original animated series (1973-1975) felt like a cheat instead of bringing back the actual show. But the Saturday morning cartoon was at least something in a world and time that only had the original series’ 79 episodes. It was both terrible and wonderful. A juicy morsal.

Star Trek: Lower Decks
I was confused when I watched the first episode of “Star Trek: Lower Decks” (2020 to present). An adult comedy? But I quickly figured it out.

This series is poking fun at the entire Star Trek universe. But it’s not a parody. It’s smart, clever and spot on, brought to you by writers who really know their Trek.

And the crossover episode on “Star Trek: Strange New Worlds” was pure genius.

Star Trek: Voyager Returns?
Then “Star Trek: Prodigy” showed up in 2021. I hardly paid attention. But when I finally checked out the first episode, the series quickly grew on me. Season 2 is even better.

As a Trekkie, how can you not love a show that after more than two decades brings back Captain (now Admiral) Kathryn Janeway (Kate Mulgrew) and our favorite Emergency Medical Hologram doctor (Robert Picardo). Plus, we’ve got a new USS Voyager and a rescue mission to find Chakotay (Robert Beltran) who’s marooned in another time.

Yes, there’s time travel. Plus, alternate universes. And surprise iconic cameos. You’ve got to break out your full Trekkie knowledge to take it all in. In fact, the plot is somewhat complex. (You may need a kid to help you keep track of it all.)

And this beautifully animated series is the only format that could have possibly made this “Star Trek: Voyager” reunion happen after so many years.

These are the Voyages of the Starship Protostar
Beyond the Voyager thread, there’s a new set of characters who drive the story. Led by young Dal (voiced by Brett Gray), six misfit teens from different worlds are thrown together by circumstance. Through a series of fortunate events, they’ve also got their own baby-sized starship (USS Protostar). And of course, the Protostar transports them through their many adventures.

They’re a silly bunch, but totally endearing… again designed for a younger audience.

This team’s journey through a complex and well-designed “Star Trek” storyline, fully emersed in Trek canon, makes it so enjoyable for any adult in the room. (Seasons 1 and 2 both contain 20 episodes.)

The Kid in All of Us
Yes, “Star Trek: Prodigy” is a cartoon for kids. But, if you’re a life-long Trekkie, it’ll latch onto you faster than a Borg implant.

Each nostalgic episode offers a little gift of Trekkie joy, as it taps into the optimism and can-do attitude that centers around everything Star Trek.

It’s not encumbered with the need to reimagine Starfleet into the darker and edgier versions reflected in “Discovery” or “Picard.” Dangers are presented, but we all know how it’s going to work out.

Live Long and Prosper
Some people practice meditation. Others work out to maintain their balance. Watching a geeky dose of “Prodigy” fuels my Zen.

It’s entirely uplifting and continues what is an illogical but successful tradition of Star Trek animation.

I shouldn’t admit that I’m watching “Star Trek: Prodigy.” But I am. Each short episode, which I often stream after dinner has left me with a smile on my face and a little less stress to end my day.

If you know the difference between a Klingon and a Cardassian, I present “Prodigy” for your pointy-eared consideration.