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Category: Star Trek

June 7, 2026

Why “The Mandalorian and Grogu” Didn’t Fill Theaters

This is a good summer movie that lots of Star Wars fans skipped. Here is why I think so many people didn’t come back for more Mando and Baby Yoda.

“Star Wars: The Mandalorian and Grogu” has clearly underperformed at the box office. This is not the way. So, what went wrong?

First off, this is not a bad movie. In many ways, director John Favreau has given us the perfect summer flick. Action-packed. Fun. Great special effects.  And the cutest character in a galaxy far, far away.

Plus, it’s fresh “Star Wars” material. We haven’t seen a new movie in over six years.

But with all that is good with it, there’s also this feeling of… been there/seen that.

Nothing New

If there had not been three previous streaming seasons of “The Mandalorian” on Disney+ (2019-2023), I think this movie would have performed much better.

The series had time to provide a deep experience regarding Din Djarin’s backstory. His bounty hunting adventures were only part of the larger narrative, including the Mandalorian people and culture.

But the movie couldn’t simply pick up from where the series left off, because not all movie goers would know (or remember) the previous plot points.

So, the movie was effectively forced to exist as a standalone and otherwise disconnected bounty-hunting adventure. Everything else from the series had to be stripped away.

As a result, Mandalorian fans didn’t get to see anything especially new.

A Razor Crest Isn’t Just Another Ship

Sure, there are a few new characters here, but if you’re a Mando fan, you might be disappointed after watching the movie, because the larger story arc didn’t move forward.

Yes, there were lots of background references to the larger series, but few were allowed enough time to create emotional impact. 

Even the moment when (minor spoiler) we see the new Razor Crest, there’s barely a pause in the dialogue as Mando takes this replacement for his previously destroyed ship (season 2, episode 6).

I listened for an emotional surge in the music, but it never came. He admired this particular ship’s restoration, but you wouldn’t otherwise know the importance of Mando flying another Razor Crest.

The ‘Dadalorian’

I’ve read many reviews that said this felt like a few episodes stitched together. Yes, I agree this could easily have been part of a season 4.

But guess what? We didn’t get season 4.

And quite frankly, I was happy to get to watch a few more episodes, so to speak.

And it’s always nice to spend a little more time with Pedro Paskal’s ‘Dadalorian’ and Grogu.

Baby Yoda Rocks

And if you’re a Grogu fan, you’re in luck. Baby Yoda has a lot to do here.

He delighted the row of kids who were sitting in front of me in the theater. But they certainly weren’t old enough to officially be part of the PG-13 crowd.

Which makes you wonder about the target audience for this movie. It’s PG-13 for all the fighting. And G-rated for Grogu. That’s a difficult balance to maintain to satisfy everyone.

The Challenge Turning a Series into a Movie

I think in many ways it just comes down to this: Successfully converting a TV series into a big screen movie with the same cast is often hard to do.

“Firefly” couldn’t get “Serenity” to fly.

Sure, “Star Trek” did it, but it needed two attempts, and “The Wrath of Khan” certainly didn’t play it safe.

Sigourney Weaver Stopped By

Not only did this Mandalorian flick play it safe, it felt like an extended premiere of season 4.

And while that was fine with me, that won’t draw the crowds who will otherwise watch it in a few months (weeks?) on Disney+.

But wait! This movie’s got the great Sigourney Weaver. Hmmm… well, she actually didn’t seem that excited to be there.

Hold on… We’re introduced to not one, but three Hutt characters, including Rotta the Hutt (voiced by Jeremy Allen White), who is Jabba the Hutt’s son. While that’s certainly interesting to some, more giant slug Hutts didn’t fill seats.

Grogu is Sad

Still, this is a solid movie, and I enjoyed seeing it in a theater. But it was just not enough to satisfy the broader fan base. It feels like the entire human race is quickly losing interest in this particular galaxy that’s now almost half a century old.

As a result, “The Mandalorian and Grogu” has already disappeared from my local multiplex on week 3 of its release. (I’m sure that made Grogu cry.)

At this point, can anything save this franchise? 

“Star Wars: Starfighter,” directed by Shawn Levy and starring Ryan Gosling is set to launch in theaters on May 28, 2027.

I certainly hope the Force is stronger with this next one.

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April 5, 2026

Why I’m Sad “Star Trek: Starfleet Academy” Got Cancelled So Quickly

This fledgling series barely got off its launch pad before Paramount flipped the abort switch. Here’s what I think went wrong.

Sure, it might have been fun to trash “Star Trek: Starfleet Academy” over the past months as many reviewers did. If their goal was to help get the series cancelled, then I suppose they’re happy now. But no true Trekkie can be pleased with the resulting void.

As a core fan throughout my life, I must admit there were a few ‘details’ to complain about with this show. The freshman season of “Starfleet Academy” was certainly a mixed bag.

A Bumpy Freshman Year

The series began slowly and introduced us to a batch of unknown Starfleet Academy cadets. We also had fragments from the Discovery crew and an unusual captain Aki (played by Holly Hunter) who liked to walk around in her bare feet. Then, there was the return of the famous Doctor from “Star Trek: Voyager” (played by Robert Picardo).

So, there were some interesting ingredients here, even without a break-out star character. 

But the storytelling is what’s always most important…. Was it any good?

Well, the first half of the season focused primarily on cadet backstories, and we really didn’t get into compelling “Star Trek” plots until the last few episodes.

By then, it was too late.

It’s Dead, Jim 

The viewers apparently never showed up. Season 1 finished its run. And Paramount promptly announced the series had been cancelled.

Season 2 had already been shot. (Principal photography was mostly wrapped before season 1’s first episode even premiered.) But it didn’t matter.

Yes, we’ll eventually get to see season 2, but our cadets from “Starfleet Academy” won’t get past their sophomore year on Paramount+.

There’s really no way to spin this other than “Starfleet Academy” failed.

How could the warp core implode like this?

Navigating in the Dark

You can take issue with the characters and the storytelling. You might debate that the style was a parsec too far from traditional “Star Trek” we know and love. And you can say the producers abandoned the Trekkie base in search of a younger demographic that never showed up.

Fine. There’s plenty to quibble about.

But how strong was the first season of “Star Trek: The Next Generation?” 

“Star Trek: Discovery” needed a total retrofit after its first season.

Said another way, the producers fixed those problems. They were offered some time to do that. 

But “Starfleet Academy” was set up to navigate its fate without the benefit of any viewer feedback. No ratings. No chance to course correct. 

Absence of Strong Scripts

In time, one could see this show find its footing. But time was the one variable “Starfleet Academy” didn’t have.

You can blame this on Alex Kurtzman, who’s been behind all new “Trek” over the past nine years. You can blame Paramount. You can blame the high cost per episode.

Ultimately, I blame the writers. Strong storytelling and good science fiction plots are critical for any successful “Star Trek” series. And I would say there wasn’t enough of either in season 1.

There are likely any number of reasons that I’m not privy to which contributed to “Starfleet Academy’s” early demise. But I believe my core logic as a simple ‘consumer’ still holds.

It’s All Cancelled

So where does this leave us? “Star Trek” as we currently know it has ended.

  • “Starfleet Academy” is now a dead series walking with one more season.
  • “Strange New Worlds” has wrapped shooting its fifth and final season containing only 6 episodes. (I think ‘cancellation’ also applies here.)
  • There’s no “Star Trek” on the horizon other than a ‘promised’ movie reboot in theaters with few details to date.

“Star Trek” in series form has seemingly ended.

As a Trekkie, I find that entirely discouraging.

Nothing Left to Celebrate?


Sure, there are rumors regarding what might come next. Perhaps we’d get “Star Trek: Legacy” which would be a spinoff from “Star Trek: Picard” or maybe “Star Trek: Year One,” which would be the spinoff from “Strange New Worlds” (Kirk’s first year in the Enterprise’s captain’s chair).

But we’re pretty much eating static right now.

I suppose there’s always time for Paramount to keep the series format alive. We’ve still got season 2 of “Starfleet Academy” and seasons 4/5 of “Strange New Worlds” to watch.

Though those episodes will come and go quickly…

In this moment, the “Star Trek” universe at its 60th anniversary looks rather bleak. Not much to celebrate.

But as Kirk once said, (at the end of “Star Trek 2: The Wrath of Khan”) “There are always possibilities.”

Hailing frequencies remain open.

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March 8, 2026

Why Can’t Today’s “Star Trek” Give Us What We Want?

Is “Star Trek” falling into a black hole of missed opportunities and fan disillusionment? Well, here’s one Trekkie’s opinion.

There are numerous theories why “Star Trek” has had a bumpy ride during these past years. While on the one hand, Paramount+ has given us multiple new series, they were often uneven (“Discovery” and “Picard”). Plus, the best ones were cancelled too soon. (“Lower Decks” and “Strange New Worlds.”)

And then there’s the problem with the movies… or lack of them.

Kelvin Timeline Abandoned

We waited ten long years for the fourth Kelvin timeline movie… only to have it recently cancelled after so many false starts. (The Kelvin timeline was a clever ‘alternate reality’ version of the “Star Trek” universe, which allowed the producers creative license to make certain narrative changes in this Kirk-era prequel.) 

I remember reading that the problem was the huge price tag vs. the expected box office. 

The writers would have had Chris Hemsworth come back as Kirk’s father. But Thor was too expensive (not to mention all the other actors).

That would have been a wonderful way to wrap this version of “Star Trek.” And I expect many of the other proposed scripts had potential as well. But the producers clearly couldn’t make it work. 

A New Ship with Nowhere to Go

So, Chris Pine’s Kirk and crew won’t get their final voyage together on their new ship that was constructed at the end of 2016’s “Star Trek: Beyond.”

Sure, I’ve read there’s now a completely new movie reboot in the works. And that’s fine (if it actually happens).

But that doesn’t change the fact that Trekkies waited a decade for the movie they wanted… and then never got. 

“Star Trek” on Paramount+

Instead, we’ve seen a “Star Trek” renaissance explode on television via Paramount+ since 2017. And that’s not so bad, right?

But this great streaming run is seemingly ending. “Star Trek: Strange New Worlds” has wrapped filming its truncated fifth and final season. 

And the new “Starfleet Academy” has had a rough first season. They’ve already shot the second season, but the series hasn’t been picked up beyond that.

A lot of fans (myself included) are angry that we never got the spin-off series “Star Trek: Legacy” after “Picard.” With Seven of Nine (Jeri Ryan) helming the new Enterprise-G, that series would have been spectacular. It would be the perfect bridge between the old and the new.

Instead, we got a show about some cadets in Starfleet Academy that nobody asked for.

Kurtzman Trek

It really shouldn’t be that hard to read the room when it comes to satisfying the core fan base.

I certainly understand that the recipe for “Star Trek’s” ongoing success must include bringing in new fans. And that means evolving the franchise.

I know that many Trekkies have been piling blame onto Alex Kurtzman lately. He’s the showrunner behind all the recent Star Trek series on Paramount+. And he’s clearly been tweaking the “Star Trek” formula.

There’s nothing wrong with updating the “Star Trek” universe. But I would say the core elements of great science fiction storytelling must always apply.

No, not every Trek episode has to be perfect, but with so few episodes being created for each season (10), there’s not much room for misfires.

Grading “Starfleet Academy’s” Freshman Year

“Starfleet Academy” has launched to a slow start. Happily, it’s been picking up steam. Episode 9 is the best yet. 

It’s directed by Jonathan Frakes with a more exciting plot that gets out of the classroom and tests the rigor of our cadets. Plus, we get to see Captain Ake, played by Holly Hunter finally act a little more like a strong starship leader.

Still, you might say a good 9th episode is a little late in the semester.

I think the problem with “Starfleet Academy” is that it’s trying so hard to be fresh, it doesn’t feel enough like “Star Trek.” It’s too loose and too often silly.

Sure, it gives us the Doctor from “Star Trek: Voyager” and a couple characters from “Discovery” as anchors. But that’s not enough.

This series has some real work to do, but I’m not sure how you course correct when your second season is already in the can.

“I Don’t Believe in a No-Win Scenario”

I’ve read that some fans are complaining about the politics of “Starfleet Academy.” I don’t think that’s the problem. Being a Trekkie has always required being open to inclusive ideas. That’s the point of “Star Trek.” For 60 years.

Not to oversimplify, but I think this all comes down to the basics. We need to focus more on better storytelling. Better character development. Better science fiction. 

And please just give the core fans more of what we want.

Then, I think more of everyone will show up.

I hope it’s not too late.

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