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Category: travel

From Static to Cinematic: How I Added More Motion to my Sunrise Videos

A sunrise timelapse video can be amazing. But unless you’re running your timelapse for a couple hours, the sun doesn’t move enough to make a big impact in your shot. (Plus, after 30 minutes, it’s not really a sunrise anymore.) So, our star is only half of the equation to generate a beautiful timelapse. 

Clouds are the other half. They’re often moving a bit faster, and when sped up by a timelapse, their motion is far more dramatic. Plus, clouds can help provide the deep, reflective coloring distinctive of any great sunrise.

Sure, clouds are technically the supporting players for this opening act, but they can steal the show when they’re in sync with their star.  

Conversely, without properly positioned clouds in your shot, a sunrise timelapse can look… boring.

In Search of the Perfect Timelapse of a Summer Sunrise
For the past few years, I’ve been vacationing in southern Maine by the stunning mud flats in Cape Porpoise. And I’ve woken up at the crack of dawn each morning with the hope of capturing a ‘perfect’ sunrise timelapse. 

I use my little DJI Osmo Pocket 3 gimbal camera, which is a great tool for timelapses. You just set it up on a tripod, program the timelapse sequence, and then it does all the work. It can even add a little panning motion. 

But the odds of success each morning have not been in my favor. 

Stormy Sky
Surprisingly, a stormy cloud mass can make for an interesting sunrise timelapse. But then it’s more about the cloud dance. The sunrise becomes a background player, if you can still see it. This happened during my Sunday timelapse this year.

Blobby Sky
Conversely, too many clouds obscuring Sunday’s sunrise eventually created this milky sky blob.

Barren Sky
My Monday timelapse captured a mostly barren sky and a tiny ball of fire. I felt the few wispy clouds just weren’t enough to fill my digital canvas.

Perfect Sky
As I’ve described, the perfect recipe for a spectacular sunrise timelapse is a good balance of clouds moving about (but not in front of) the rising sun. That finally happened on Thursday.

Anyone will always be at the mercy of the weather. So, if I’m able to capture one great cloud-fused sunrise during a vacation, I feel lucky.

Camera Drone in the Sky
Timelapses add motion through time acceleration. But as I’ve mentioned you need a few clouds to accelerate. If you could add motion to your shot without having to rely on clouds, that could be a better way to get the job done.

Last time, I wrote about my new camera drone, the DJI Flip. And yes, I took with me this year on our vacation to test out.

I discovered that a drone beach shot rushing towards the sunrise can be a game changer. It’s not a timelapse, but the drone’s motion through the landscape instantly creates a cinematic video.

No, the clouds don’t move (if there are any), but it doesn’t matter. The dynamic motion zipping across the mud flats blows away any cloud. My camera drone has instantly taken my multi-year sunrise video project to a whole new level. Look at the visual energy it created for my Friday sunrise.

I’m just a novice camera drone operator, but I couldn’t be happier with this clip.

Next time, I’ll share my journey to this successful shot. And believe me, it wasn’t all sunshine.

A Week of Beautiful Sunrises
You may say that every sunrise is perfect. And you’d be right. 

The fact that I got to witness multiple beautiful sunrises on vacation should be my headline. 

But I’ve also chosen to spend that time practicing my creative. 

I know you can never truly capture nature’s perfection. But a sunrise certainly gives you something amazing to point your camera at.

Here’s a Great Place to Snap a Photo of Manhattan’s Iconic Skyline at Sunset

It’s hard to miss this famous skyline as your Amtrak train nears or leaves the Big Apple. And sunset is a particularly special time. So, it warrants trying to take a photo or two…

The weather conditions have to be right. Plus, there’s only a six-minute stretch when the train is close enough and oriented correctly with its windows directly facing the east side of Manhattan. 

The Best Views of New York City
Then, take out your smartphone. Press it as close to the window as possible to avoid reflections from the inside of the train. (The fact that your phone’s lens effectively lies flat with the phone’s body will protect it from accidental bumps into the glass due to your train’s jerky movements.)

And then start snapping away.

As much as I always want to zoom closer with my iPhone 15 Pro Max’s 2x or 5x lens to better frame the skyscrapers, the wider shots are better. I think you need that foreground in the shot to help tell the visual story. Plus, the train’s motion is less of a problem for your phone’s camera if you’re not zoomed in.

Just Another Bonus for Taking the Train
Yes, it’s an amazing vista to take in, but you should temper your expectations for your photos. Remember, you’re shooting through glass, and the train is moving.

Still, it’s worth a shot.

I go for it whenever I’m on Amtrak’s Northeast Regional or Acela heading back to Connecticut from Washington, D.C. (These photos are from my recent trip.)
In the old days, it would be when I was heading out of New York City back to Boston. (So, I’ve been at this for a while.)

And yes, I do prefer taking the train vs. a plane between these destinations. It’s much more convenient and relaxing. (The door-to-door time comparison is similar after you bake in the extra hours spent at the airport.) But I digress…

Enjoy the Show
Sunset isn’t the only time to try to capture these photos of New York City. (Shooting directly at the sun can really confuse a camera and isn’t especially great for its sensors. But a few brief clicks shouldn’t play too much havoc with the electronics.)

These magic sunset minutes always call out to me as the deep orange light bathes the landscape. 

It’s both unearthly and entirely natural.

And you’ve got one of the best vantage points of this city a photographer could hope for.

Searching for Silhouettes on a City Street at Sunrise

People walking in Baltimore's Harbor East neighborhood at sunrise

The orange glow of the sun that floods the landscape at sunrise or sunset is a great time to photograph silhouettes and shadows. Here’s how I maximize that opportunity.

If you’re lucky enough to be walking on a city street facing due east or west when the sun is low in the sky, it’s time to take out your camera. That’s when you can easily find magical silhouettes and the shadows of people bathed in sunlight.

Your eyes may only sense a blinding fog of bright orange. But your camera can likely peer through that optical interference and capture enough detail to be later optimized in post.

When editing these photos, I find it ideal to focus on deepening the silhouette effect in a targeted fashion. I accomplish that using Adobe Lightroom with the AI-powered Masking/Objects tool. That allows me to easily select the silhouetted images in the foreground to darken them further without affecting the rest of the photo.

Here are a few examples.

Baltimore, Maryland’s Harbor East (2025)
I snapped this sunrise shot as two men walked to work by the marina.
Two men walk to work in Baltimore's Harbor East neighborhood at sunrise

Facing East at Grand Central Terminal (2012)
Though not technically a street, the Main Concourse at Grand Central channeled the morning’s rays onto New York City commuters as they rushed to their jobs. (I think some of these folks may already be late, as you can tell from the clock.)
Commuters rush through Grand Central Terminal in the morning

Facing West on a Street in Barcelona (2008)
These two women were enjoying their sunset stroll.
Two women walk on a street in Barcelona at sunset

Morning Stretch in Hong Kong (2005)
I captured this quiet moment as I explored the neighborhood during a work trip. Even if the sun isn’t in the perfect position, a shaded space with a bright background can offer your camera a similar silhouette effect.
Man's morning stretch in Hong Kong
The Power of a Good Silhouette
Whether you have your smartphone or a mirrorless camera to compose your photo (I used my Panasonic Lumix DC-ZS200D for my Baltimore pictures), sunrise and sunset are perfect times to capture the landscape.

If you can frame the bright sun in your shot, that’s great. But for me, I’m often more interested in the dark shadows.