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Category: Science Fiction

Why I Haven’t Immediately Given “Star Trek: Starfleet Academy” a Failing Grade

I can’t think of another moment in “Star Trek” history with such low expectations about an upcoming series as with “Star Trek: Starfleet Academy.” Perhaps because nobody asked for this. I was certainly not interested in the stories of a few unknown cadets roughing it during their first semester at Starfleet Academy. There are so many other seemingly better directions to go with “Star Trek.”

But the state of Trek these days is complicated. 

  • “Discovery” – cancelled
  • “Lower Decks” – cancelled
  • “Prodigy” – cancelled
  • “Strange New Worlds” – to be cancelled after its fifth season
  • The fourth Kelvin timeline movie that we’ve been patiently waiting for over the past decade – cancelled

For many, including me, the obvious next step would have been to greenlight a spinoff series from “Star Trek: Picard.” It was perfectly set up in the last scene with Seven of Nine as the captain of the rechristened Enterprise-G. 

The great cast was already in place with Jeri Ryan front and center. There was even a name: “Star Trek: Legacy.”

But no.

The State of Kurtzman Trek
Alex Kurtzman has been at the helm of these newer series on Paramount+, and while I’m pleased that “Star Trek” returned to television with an explosion of content over these past nine years, that streaming spigot has now clearly been severely restricted.

Of course, it’s all about money. (Isn’t it always?)

So where is “Star Trek” going? Difficult to see. Always in motion is the future. 
(Sorry…. mixing up my sci-fi references.)

But first, let’s kick the tires on “Starfleet Academy,” now that the first two episodes have finally dropped. 

Registration is Open
As the title suggests, this series follows several young cadets and their adventures at Starfleet Academy. It’s during the same timeline as the later “Discovery” seasons after that ship jumped a whopping 900 years forward. These are the years when a fractured Federation is still rebuilding after “the Burn.” And this is the first Starfleet Academy class to be assembled in over a century.

Our main cadet character is Caleb Mir, played by Sandro Rosta. In the show’s first scene, we see that when he was a child, he is unfairly separated from his mother by the Federation. He’s been on the run ever since, searching for her.

Our new captain is Nahla Ake, played by Holly Hunter. She’s half-Lanthanite, giving her a life span of some hundreds of years. She becomes the new chancellor of Starfleet Academy and also commands the Starship Athena, which doubles as classroom space for the cadets.

Robert Picardo is back as the Emergency Medical Hologram Doctor (originally from “Star Trek: Voyager”).

We also see a couple returning Discovery characters. There’s Engineer Jett Reno, played by Tig Notaro, who’s now a physics instructor. And also Admiral Charles Vance, played by Oded Fehr.

The great Paul Giamatti plays the evil alien, Nus Braka, in the premiere. 

Confusing Syllabus
Is “Starfleet Academy” any good? Well… that depends how you approach this series.

It’s sweet at its best with lots of warm and golden imagery to support the optimistic vibe. It’s easy to watch. Feels good. And there are endless “Star Trek” references and easter eggs for core Trekkies.

At its worst, it’s downright silly and even bland.

It plays more like “Lower Decks” or “Prodigy,” where most of the humorous focus is on our younger and untested characters. (We even get to see a direct reference to one of the Prodigy characters from that sadly cancelled series.)

As a result, I’m not really sure who this new series is for.

It’s kind of funny. Sometimes serious. A bit preachy. Often predictable.

Slick Campus Brochure
We’re almost constantly presented with cool Trek references… The background is filled with them… from different species you can spot to famous names on buildings (James T. Kirk Pavilion).

Okay, we get it. It’s “Star Trek.”

But is this good science fiction?

Well, not yet… not after the first two episodes, which simply introduce our new characters and show the cadets settling into their college campus. Sure, there’s some obligatory fighting and a space battle in the premiere episode, but we’ve seen it all before.

Easy Classes Won’t be Challenging
The show looks great, and the production values are high, but that’s not going to be enough to carry this first season.

As I mentioned, this new Trek is somewhat bland. It’s certainly not disruptive, the way “Discovery” season 1 was. It’s not really a successor to “Discovery” either, other than supporting character crossovers. It’s not classic Trek. “Strange New Worlds” carries that torch. As I mentioned, it plays more like “Lower Decks,” but not as intentionally funny.

That said, in an early scene, a nervous cadet reports to the Doctor that she thinks she swallowed her ‘combadge.’ (What?) I think that’s supposed to be funny. But it also tears away at the foundations of our Trek universe. 

This is Starfleet Academy! I know recruitment standards are down (as this is the first class in a while) but come on!

Mixed Feelings After Orientation
Sandro Rosta is strong enough as our conflicted main cadet character, but he hardly carries the series. Hopefully, he’s given more to do than search for his long-lost mother. 

Holly Hunter certainly breaks the mold for your typical Federation captain. Her Captain Ake is more of a hippy professor who likes to walk around in bare feet. She prefers to scrunch into her captain’s chair, feet tucked in.

Okay. So, Ake is not traditionally tough, like Janeway or Kirk. She’s more caring. And clearly a parental figure for Caleb. Not to jump between genres here, but she’s kind of our Dumbledore. And as I think about it, it’s not a terrible jump to loosely compare this Trek structurally to Harry Potter.

It’s great to see Robert Picardo again reprise his EMH role (as he did in “Prodigy”), and he fits in exceptionally well here.

I also like Ake’s tough Number One… Cadet Master Lura Thock, played by Gina Yashere. (She’s half Klingon, half Jem’Hadar.)

Paul Giamatti adds badly needed dramatic energy to the first episode, though he’s underutilized. Hopefully his future scenes are not simply him screaming and chewing the scenery. 

Clearly, there are some strong elements in this young series, but the overall result is hardly ‘compelling.’ I don’t feel like rushing to the next episode.

Unfocused Class Schedule
So, where does this leave us?

No, “Star Trek: Starfleet Academy” isn’t the disaster as many reviewers would have you believe. But yes, it’s launch is certainly uneven.

Some have called it “Star Trek: 90210.” Of course, I see that. Lots of teen drama here.

I say it’s a “Star Trek” casserole. Fragments from “Discovery.” A dash of “Voyager.” Comedy from “Lower Decks.” And even humpback whales (clearly descendants from “Star Trek IV: The Voyage Home”).

But how “Starfleet Academy” truly defines itself as a unique property has yet to be seen.

Alumni Support Still Goes a Long Way
Showrunner Alex Kurtzman has apparently created this for the next generation, but I’m not sure they’re going to show up. As for existing Trekkies, there’s not enough strong science fiction storytelling yet.

All this said, here’s the reason why I’m going to keep watching:

Though flawed and uneven, this young series retains the core optimism and positive energy of “Star Trek.” In fact, it exudes it! 

Lots of sci-fi shows these days are dark, confusing and project depressing alternate realities. Sure, those main characters may make it through an episode, but just barely. It can leave you feeling really drained.

Alternately, “Starfleet Academy’s” lighter tone has left me feeling more upbeat. And as I typically stream my shows after dinner, it’s a better recipe for a good night’s sleep.

They’d Better Ace the Mid Term
Sure, it’s still silly. Predictable. Bland.

But it’s still “Star Trek.” And that counts for something.

I haven’t written off “Starfleet Academy” after just two episodes, and you shouldn’t either.

But these first two episodes get a C+ grade from me at best. So, it’s time to turn it around, please.

The semester is underway, and the clock is ticking.

What’s Really Happening in the Sci-Fi Series Pluribus?

I’m hooked watching ‘Pluribus’ on Apple TV. That said, this series doesn’t easily fit easily into a particular genre. ‘Pluribus’ or ‘PLUR1BUS’ (which is how the title credits spell it) is technically science fiction but isn’t what you’d expect from a traditional sci-fi series today. 

Created by Vince Gilligan, this show plays more like an episode from ‘The Twilight Zone,’ but quite not as ominous. That said, in one sense, it couldn’t be more frightening. It’s about the days (spoiler alert) after the human race is infected by an alien virus.

The first episode is effectively a chilling variant of the famous ‘Invasion of the Body Snatchers.’ The result is a complete ‘Star Trek’ Borg-like psychic takeover where everyone is suddenly connected to a hive mind. The twist here is this alien-mind collective makes everyone happy and is supposedly benevolent. 

Is Resistance Futile?
Only 13 people in the world aren’t absorbed into this global cult (for some unknown reason) including Carol from Albuquerque, New Mexico, played by Rhea Seehorn. 

Carol, a romance writer, is generally a cranky person, and her negative energy later turns out to be something of a superpower for her.

She’s immune to the virus and determined to find a cure. Each episode follows her efforts to figure out how to reverse the takeover.

While this set up might be perfect for a tight sci-fi thriller, ‘Pluribus’ takes its sweet time revealing its clues. It’s actually way more mystery than sci-fi.

I’m five episodes in, and the writers are clearly more interested in exploring Carol’s understandably overwhelmed reactions to this insanity rather than furthering along the main pieces of the plot.

And that’s just fine with me.

Fan Predictions
I’ve seen some online reactions where fans are intensely studying every detail of each scene to reveal the plot ahead and even how the series is destined to end. (Who has the time for this radical deconstruction?) 

Frankly I’m not buying all these spoiler predictions. I just want to watch this story unfold. No need to rush it. 

In one scene from episode 5, Carol is trying to get some sleep, and the camera focuses on her nightstand with a book clearly in focus. It’s Agatha Cristie’s ‘And Then There Were None.’ Okay… so, that’s certainly a clue for rough times ahead.

Happy Zombies Vs Unhappy Person
I’m really enjoying ‘Pluribus.’ It’s quirky and offbeat. It’s dark but not without its lighter comedic moments. For now, the plot is clearly simmering. You can tell there are likely twists to come.

We’ve got billions of happy, connected zombies living in harmony. Is that so bad? Will Carol save the world? Does the world even need saving?

The writing throws big questions at us: Is restoring individualism worth the price of returning to our horribly fractured society? Isn’t total harmony the utopia we all thought we wanted? But at what cost? 

I think this is what ‘Pluribus’ is about. (Yes, it’s hard to describe succinctly.)

It’s the End of the World as We Know It
If I had to put it in one sentence… This series is a mystery about how one average person tries to repair the human race by saving the essence of humanity.

But I know this is too simplistic an answer. It’s just the framework. Who knows what’s really happening here.

The success of any mystery depends on the answers we eventually receive. I’m sure I don’t have to remind you how the mysteries from other famous TV series (‘The X Files,’ ‘Lost’) have not always been as satisfyingly resolved as we wanted.

The answers simply need to be as good as the questions. 

Season 2 is already confirmed, and the producers want to make a total of four seasons. Here’s hoping ‘Pluribus’ delivers on the expected payoff. 

For now, I’m sitting back and simply enjoying how one woman fights back against the end of the world.

Here’s How I Finally Wrapped My 9th Grade Film Thanks to AI Video Generation

These are the AI characters I created to star in the big scene from “The Portal in Central Park,” originally written by me and a few friends decades ago and finally brought to life through Google’s Veo 3’s AI superpowers. Here’s how I did it.

When I was in 9th grade, I joined a school project with some friends. We were going to shoot a science fiction mini movie around Central Park in New York City. We wrote part of our time travel script, discussed the many logistics and locations we’d shoot in. 

Young Filmmakers on the Streets of New York?
I remember we were going to feature a tall, black obelisk that at the time was found at the entrance to Central Park on 59th Street and 5th Avenue. The sculpture would be the ‘time portal’ that our characters would walk towards and disappear through. Clever editing would avoid the need for special effects.

We were in ‘preproduction’ that spring, and it would have been a spectacular time to film on the streets of New York. Though we were all inspired by the potential of our little project, most eventually realized the many complexities of making a movie and how long it really would take to pull it off. Still, I felt undeterred. But the others had a different (more realistic) view.

Our project started losing steam, and ultimately, our short flick never got out of development. It was simply too big a lift. A few months later, we all graduated, and that was it.

My Origin Story that Never Happened
This would have been my origin story as a fifteen-year-old filmmaker, but it was not to be. (Instead, a year later, I found a more structured opportunity to explore my video production interests in high school.) 

But I’ve never forgotten about my first student movie short that never was. That obelisk scene is seared into my long-term memory. I really wanted to capture that shot. I saw it so clearly.

I still do.

AI Video Generation Can Bring Your Vision to Life
Over the decades, I’ve occasionally found myself returning to the nagging sadness that we never finished our movie. Heck, we never started it!

But if I could somehow go back to the future and capture that obelisk scene, maybe I could check it off my bucket list.

Well, now I can… from the comfort of my home office with a little text-to-video prompting and the power of AI video generation.

Yes, the magic of Gen AI is transforming our existence on a daily basis. And yes, it can now enable me to finally manifest my dusty vision out of thin air. 

So that’s exactly what I decided to do. 

There are multiple platforms that are up to the task. I decided to use Google’s Veo 3.1 and Flow/Scenebuilder. So, I signed up for the Google AI Pro plan for twenty bucks a month. I felt that would give me enough generative AI credits for what would be a 30-second scene.Text to Image Prompting
First, I created still images of my three main characters using Google Whisk and its text-to-image generation powers:

The Leader

Second in Command

The Nerd

Text to Video Prompting in Scenebuilder
Any remnants of our original script were long gone, but as I’ve said, the obelisk imagery remained clearly in my mind.

I’ve admittedly updated the characters (away from a few school kids) and added a few lines (current scriptwriter’s prerogative). Yes, these AI characters can talk!

Then, I uploaded the images of my AI actors and began typing in prompts for individual shots around this one scene. I relied on the ‘Scenebuilder’ mode to retain the same characters and background from shot to shot.

Veo 3.1 is impressive, but it also hallucinated a fair amount, adding in new scripted lines, a few of which I end up using. 

“The Portal in Central Park,” My AI-Generated Movie Scene
And here’s my completed 30-second scene, “The Portal in Central Park”… finally ready for its premiere all these decades later.

Imperfect, Yet Simultaneously Stunning
Okay. This is not exactly going to win any awards, and it does look rather fake (Though not entirely fake… It could easily serve as an early draft for a pitch to do a real shoot).

And I also found myself struggling to get precisely what I wanted. (Perhaps that’s due to the limitations in my basic text prompting skills.) Strangely, I felt like a director arguing with live actors who didn’t want to follow my direction.

As I mentioned, I ended up accepting the actors’ improv in a couple of the hallucinations. So, this scene isn’t exactly what I originally envisioned, but it’s close.

The background music is also AI-generated through Google’s MusicFX platform. I just typed in… “A cinematic feeling piece of music suggesting that time is running out. Exciting violins. Medium tempo.”

Click. One try is all it took.

That’s a Wrap!
Ultimately, I found it amazing what I was able to accomplish in just a few hours. That said, I edited the clips together manually in Final Cut Pro. This part still required (for now) nuanced timing and a human touch.

Each clip took about a minute to generate using Veo 3.1 Fast mode. And yes, there were many that ended up on the cutting room floor. 

But as imperfect as the results were, I can still say I successfully brought my teenage cinematic vision ‘to life.’

The Future of Visual Storytelling
But I must admit there’s more to this exercise than completing the big scene from an old school project that I’m sure my former classmates have long forgotten about.

The truth is I’m back to where I started as a teenager. I still feel the creative passion to bring stories to life, but I again need to learn how to use the tools available to me.

And that’s exactly what I’m doing.

For twenty bucks, you and I can conjure up complete videos with stories and characters based on simple text prompts. It feels entirely like a fantasy. But it’s not. 

The only part of the process that feels normal is this: 

-The power of the written word is as strong as ever.

Keep It Real
We’re clearly in the middle of a creative revolution. If you want to keep up, there’s no time to lose.

Learn how to use these new AI-fueled creative tools, which will continue to improve… There are countless reasons why.

…Or else you may find yourself eventually becoming the hallucination on the cutting room floor.