At Home with Tech

It’s not as complicated as it looks. Tech tips for your life.

Category: Science Fiction

August 30, 2026

Why I Created Three AI Spokespeople to Promote My Blog

Meet Mr. Tech, a robot and a time traveler. I invented them and then brought them to life in their own commercials below. But here’s their true purpose.

I had a mentor who once told me about her 80/20 rule when producing content. The rule said you should spend 20% of your time ‘creating’ and the other 80% ‘promoting’ what you made.

Leaning into the spirit of that 80/20 marketing rule, I’ve decided to spin up a few Gen AI characters inspired by my blog topics to help promote a few of my past posts. (And of course, by doing that, I’m instantly breaking that rule.)

So please meet my three AI spokespeople I created who are now starring in the below 30-second At Home with Tech commercials.  

The Time Traveler

Mr. Tech (You’ve seen him before.)

The Robot Teacher

My next step was to bring these freeze frames to life. But to accomplish that, I had to first wear the following hats:

  • Casting
  • Location Scout
  • Script Writer 
  • Talent Director
  • And Director of Photography
    (I occasionally used Claude for this.)

Once I provided the necessary creative direction and script, I put Gen AI to work creating video clips for my commercials. Here are the results.


This Time Traveler has a Mission to Save Time

My Blog Post:
How to Use Shortcuts on Your iPhone to Save Time



Mr. Tech Worries About Capturing the Sunrise on a Cloudy Day 

My Blog Post:
How Clouds Transformed My Boring Sunrise Timelapses
into Pure Magic



Robot Teacher Explains How to Unlock an Old Suitcase

My Blog Post:
Try this Luggage Hack If You Forget Your Lock’s 3-Digit Code



I Used Google Flow

So yes, I hope you watch my above AI commercials and then read my blog posts they’re promoting.

But truthfully, that’s not the main reason why I created them.

I gave myself this marketing assignment, because I wanted to learn more about how to make these AI spots.

For this project, I used Google Flow (Veo) as my Gen AI tool of choice. 

The Steps to Bring My AI Characters to Life

And while parts of my workflow generated cool, unexpected AI iterations, which I used for inspiration, much of my creative process still relied on this human’s creative vision. 

And because this astonishing technology is still highly imperfect, I found a clear need for an organized process that would lead me to an acceptable level of creative consistency and output.

So, I had to stick to the following steps:

  • Create the characters and their voices first
  • Generate their environments
  • Then put them together
  • Write the script and figure out each shot and length
  • Be ready to adjust certain shots if they’re not generating correctly
  • Don’t forget that each failed video generation drains your monthly credit allotment 
  • So allow yourself the flexibility to leave certain ideas behind
  • Give yourself enough time to account for platform generation delays
  • Simplify as needed

Though you can perform basic video edits on the Google Flow platform, I decided to bring my clips into Final Cut Pro for more advanced results.

I’m Learning a New Way to Communicate

None of this went especially quickly, and I found there were clear limits to what this ‘beginner’ could accomplish. What I ended up with wasn’t exactly what I envisioned, but it was close. It still feels remarkable that this is even possible.

And though there is some commentary out there about how AI may be taking away our need to ‘think,’ let me tell you, I had to do a whole lot of thinking with this. It was like trying to solve a puzzle that was regularly shifting on me. 

Sure, I traveled through several phases of frustration. But I also found the process entirely fun and invigorating. I was like a Star Trek ‘Q,’ creating realities from the whims of my imagination.

Of course, I know it’s only going to get easier. Not only because AI is constantly improving, but because this ‘organic’ is learning too.

Radical Change

As I travel through this new creative process to visualize my own ideas through AI, I hope you enjoy my silly AI spokespeople and find more of my blog posts.

The road ahead is far more serious.

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August 23, 2026

Has “Star Trek: Strange New Worlds” Jumped the Shark?

If you’ve noticed that season 4 of “Strange New Worlds” has been warping through entirely different storytelling genres, you’re not alone. Confused? Is there some logic behind all this? Let’s explore…

What do the following movie and TV genres have in common?

  • Dinosaurs
  • Zombie ghosts
  • Piecing together a blackout night of mayhem
  • 1942’s “Casablanca”
  • And the Muppets

Yes, it would be the first half of “Star Trek: Strange New Worlds” season 4.

Based on the first five episodes, “Strange New Worlds” has settled into a certain genre-of-the-week groove. And it’s certainly not what you might say is classic Trek. 

Puppets in Space?

We just got the long-teased comedic puppet adventure. (Yes, the crew is turned into puppets by a transporter accident.) 

This comes after the film noir episode, the ‘Hangover’ homage, the horror episode and the time-travel dinosaur plot.

Boldy Go?

With the writers exploring a different genre each week, you might simply conclude the show is taking some big swings or alternately feel it’s become a bit gimmicky. 

It’s not that “Strange New Worlds” hasn’t explored varied storytelling genres before (such as season two’s musical episode). And even the original series had its comedic plots like the famous “The Trouble with Tribbles.”

But we’re halfway through this second-to-last season for “Strange New Worlds.” Except for the premiere, which was solid science fiction (the dinosaur-punch notwithstanding) the show is acting like it has all the time in the world to have its fun.

Lost in Space?

But the reality is we’ve only got 11 episodes left to the series finale. (Season five will contain only six episodes.)

Shouldn’t the writers be giving us more serious plots that try to push the boundaries of science fiction? Well, they’re certainly pushing “Star Trek” norms. 

So, you might conclude that “Strange New Worlds” is off course and jumped the shark.

But you’d be wrong, And I’ve got two reasons why…

Reason #1 
Look Under the Hood of the Gimmick

Sure, transforming the crew into puppets (via Jim Henson’ Creature Shop) may seems like a silly gimmick. But when you move beyond the plot device and realize it’s just a metaphor for what show is really about (just wait for the ‘aha moment’), you understand how clever this concept really is. 

Then, you can rewatch “Level-Five Transporter Accident” and enjoy the episode on a totally new level. 

Many great “Star Trek” stories are often just metaphors for something entirely different. Let’s not forget that.

Reason #2
Let the Show Have its Fun. The End is Near.

“Strange new Worlds” has already served up a variety of lighter plots in its first three seasons. We just happened to get a grouped set of these ‘unique’ episodes at the top of this season.

Let’s enjoy this fun… because we know it’s not going to last.

There’s a lot of ground to cover to get from Captain Pike’s Starship Enterprise to a very different Enterprise crew let by Kirk.

I imagine there’s going to be choppy waters ahead for this ship and crew. Plus, we already know Pike’s fate. And unless the writers are going to reveal a sci-fi deus ex machina to soften that blow (like the Klingon ‘time crystal’ from the season 1 finale), we’ll be shedding a few tears next year.

There’s a Method to this Madness

So why not enjoy some hijinks before we need to get to that finish line? Spock and Scotty are still in their formative years, which the writers are clearly leaning into. Every episode doesn’t have to be a universe-saving venture.

And despite the tonal swings, the writers are demonstrating intention with each episode’s messaging. Plus, they pull regularly from Star Trek canon. I love that. And I will trust there is some logic in the larger plan.

The Warp Core is Sound

I’ve read some critics’ conclusions that there are too few episodes left to waste on ‘fun’ episodes. And they may have a point.

But “Strange New Worlds” has already proven itself during the past three seasons. It’s earned the opportunity to take some creative license.

Enjoy the Last Days of Summer

Season 4 has been a perfect summer series. And don’t forget, winter’s coming.

For now, I’m going to sit back and happily enjoy my Trek.

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July 26, 2026

These are the Final Voyages of the Starship Enterprise

If Trekkies from the past had invented a time portal TV that could pull in shows from the future, they would have loved watching the season 4 premiere of “Star Trek: Strange New Worlds.” And so did I. Just don’t tell them there are only 15 episodes left.

This has not exactly been a good year for the “Star Trek” franchise. 

“Star Trek: Starfleet Academy” was immediately cancelled after its first season. (The second season had already been shot by that point. So, we will eventually get to see it.) 

The Kelvin timeline movie franchise by J.J. Abrams was officially cancelled after failing for many years to get a fourth film into production.

Arguably the jewel of the new Trek universe, “Strange New Worlds” got its decommission orders to wrap it up after five seasons (and a shorter 6-episode final season at that).

All this on the 60th anniversary of “Star Trek.”

This Trekkie is not celebrating.

The Beginning of the End of “Star Trek: Strange New Worlds”

No new series in the pipeline. There is some vague discussion about a movie reboot. (We’ve heard this before.)

Is the Federation breaking up? Are these the final voyages of the Starship Enterprise?

Well, we’ve known for almost 60 years how “Strange New Worlds” is supposed to end. And as much as any faithful Trekkie wants the writers to surprise us, they’ve already shown us the implications of changing the timeline.

Fate can be a bummer.

All this said, yes, I’m still clinging on to that Kirk line (quoting Spock) from the end of “Star Trek II: The Wrath of Khan.”

“…there are always possibilities.”

So, it’s under this near-universal dark cloud that season 4 of “Star Trek: Strange New Worlds” launches…

My Thoughts on the Season 4 Premiere: “Valles Marineris”

Yes, of course, I immediately watched the season premiere. 

What’s the plot about? I’ll only say that (slight spoiler) it involves time travel… and dinosaurs. But it was really about purpose, ethics and destiny.  

Yep… classic Trek.

An hour later, I turned off the TV as the credits rolled. I stood up from my couch and smiled. I felt like a kid again. Wow.

This was a really good episode. In fact, it was fantastic! Most importantly, it was solid science fiction with strong writing.

We’ve already got an excellent cast of established characters, led by Anson Mount as Captain Christopher Pike. You just need a script that makes you think a bit and then say, “Whoa!”That’s always been the promise of “Star Trek.” And that’s what “Valles Marineris.” gave us.

This is as Good as It Gets

And to all those reviewers who pulverized “Starfleet Academy” to a quick demise earlier this year (and not entirely undeservedly), let me say this:

You must admit that “Strange New Worlds” is as close to capturing the core spirit of classic Trek as any of the newer series. Yes, this is as good as it gets. It takes big swings, and I believe it’s worth watching. No, every episode isn’t perfect, and the writing has sometimes been uneven.

But remember, every episode of the original series or “The Next Generation” wasn’t a gem either.

The Needs of the Many

“Star Trek: Strange New Worlds” is deserving of way more support.

Because the alternative is… nothing. No “Star Trek.” And that’s currently what’s in the pipeline.

I think we can all agree that we need a little ongoing optimistic “Star Trek” in our lives.

Sure, it might be fun to pick at little problems in the remaining episodes, and that may get reviewers more readers or clicks. 

But any true Trekkie must acknowledge this series continues to successfully ‘hit it’ most of the time. (It’s the only logical conclusion.)

“Strange New Worlds” has always been a shining beacon for the new “Trek” era. 

Fate and Season 5

Season 5 will have to focus on wrapping it all up to the point when Captain Kirk takes command. And that’s going to be bittersweet. I really like this crew, but we know that a few aren’t part of Kirk’s bridge. So, their futures are a huge question mark.

And we also know Pike’s fate as explained in “The Menagerie” from the original series. But that’s for season 5 to work through.

So, this 10-episode fourth season is the last time we can simply sit back and enjoy the ride.

Trekkies Unite!

Both seasons 4 and 5 of “Strange New Worlds” are in the can. This series is ‘officially’ over with 15 episodes left to watch.

But after watching the confident season 4 premiere, I can’t help but feel that the best is yet to come. 

And I hope that the ratings skyrocket for these final voyages of Pike’s Starship Enterprise.

Because if that happens… there are always possibilities.

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