At Home with Tech

January 5, 2025

Why iPhone’s Camera Burst Mode is Better than Live Photos

If you think you’ll miss the moment when snapping an iPhone photo, using Burst mode instead of Live Photo mode can save the day. Here’s why.

If you like the Live Photo feature on your iPhone so you can later choose a better ‘Key Photo’, you might want to reconsider your preference. Why? Well, it houses a huge limitation that can really ruin your shot.

Sure, it all seems so magical that you can take your 3-second mini-movie that’s behind a Live Photo and then, after the fact, scrub through all of video frames to select a better still frame. It’s a wonderful technique to use when shooting a group pic when someone’s eyes are inevitably mid blink. The ability to later choose a better freeze a fraction earlier (or later) can make all the difference between the perfect photo and one that goes in the digital trash.

I’ve been shooting Live Photos this way for a long time. But when choosing a different Key Photo, I’ve sometimes not been satisfied with the final results. Here’s the problem…

Choosing a New Key Photo will Crop It!
The ‘prime’ image your iPhone snaps is higher quality than other frames from a Live Photo. And as soon as you choose an alternate frame, the entire picture frustratingly crops in a bit (not a lot… but enough).

That can be a deal breaker if you’ve taken a group shot and someone is close to the edge of your framing. After choosing a different Key Photo, that person will likely get cropped out, and there’s nothing you can do about it.

This picture-killing crop just happened to me at a family gathering, and the cropped-out person was me! (Yes, thankfully, the group allowed me to take another shot.)

Even if you overlook that limitation and tell yourself you’ll give your shots enough ‘safe space,’ it’s also hard to ignore the overall quality difference. The new Key Photo doesn’t look as crisp.

Under well-lit and well-framed circumstances, this isn’t an issue. And to be fair, it took me a while to discover these drawbacks.

And while a Live Photo with a different Key Photo can be better than nothing at all, there’s a more effective way to capture additional visual frames around a particular photo moment.

10 Burst Photos are Better than 1 Live Photo
iPhones offer Burst mode, which captures 10 photos a second. (That’s likely going to get you what you need!) Instead of tapping the shutter button on your iPhone, you simply slide it to the left and hold it there until you’re done ‘bursting.’ (Then release.)

For a more tactile experience, you can also squeeze your ‘Volume Up’ button.
To activate that feature, go to:

Settings
Camera
Turn on “Use Volume Up for Burst”

While primarily designed for action moments like sports photography, it’s also ideal for posed group shots when you’re trying to get everyone’s eyes open at the same time.

Each of these high-speed photos will be the same quality. No compromises.

Burst Mode with Countdown
You can also use Burst mode for your iPhone shots using a countdown timer. It’s a perfect way to set up a group shot that you also want to be in.

Pro tip:
If you’re wearing an Apple Watch, use its Camera Remote app to control your iPhone. (Just be sure to first turn off Live Photo mode. Otherwise, you’ll snap a Live Photo instead of the 10 standard burst shots.)

I like to prop my iPhone on a window ledge and have the group face the window. Not only does the window ledge double as a tripod surface (be careful), but the light from the window will nicely illuminate your subjects.

Delete your Unwanted Bursts
You do need to do a bit more work afterwords with your Burst photos to manage the 20 or 30 shots you’ve generated from a particular moment (instead of 2 or 3 Live Photos).

Just review your Bursts and select the images you want to keep. The rest are deleted. (If you don’t follow this organizational task, you could quickly get overwhelmed with too many photos on your iPhone.)

Not Mutually Exclusive
Too much work? Well, you can leave it to the automated but limited structure of Live Photos. That’s a set-it-and-forget it solution. It’s easy, but it won’t always give you best-quality pictures. On the other hand, Burst mode will.

Can you use both? Absolutely (though not simultaneously).

Burst Away
Moving forward, I’ll think of a Live Photo as a backup plan. But if I’m really being planful in framing the moment, then using Burst mode is the way to go.

December 29, 2024

Why Silo is Still the Best Dystopian Future Series on Apple TV+

The drip/drip goodness of “Silo” is what has made this science fiction series so gripping. But the remaining coffee in season’s 2 has grown a bit cold. Here’s why I don’t think that matters.

Season 1 of “Silo” on Apple TV+ was riveting. The element of mystery headlined its success more than its science fiction or action genre. Based on Hugh Howey’s trilogy of novels, this series has moved slowly and shares the details of its crushing underground future for humanity with a timed precision that keeps you guessing what’s really going on in this dystopian society.

Underground Confusion
As the viewer, you’re almost as clueless as the population of 10,000 living underground, protected from a supposedly toxic and dead world up top.

The series stars Rebecca Ferguson as an engineer who tries to uncover the truth and Tim Robbins as one of the ‘elites’ who will do anything to maintain order for their fragile existence. Deception? Yes. Betrayal? Absolutely. (Just another day at the Silo offices.)

“Silo” also benefits from a great ensemble cast, a few of whom (spoiler alert) I wouldn’t get too attached to.

This Apple TV+ series’ first season was filled with surprising twists up until the very last shot of the final scene.

Season 2
As I write this, I’m seven episodes through season 2’s ten. Beyond the first episode where the mind-blowing payoff happens after last season’s cliffhanger, the series settles into more expected patterns of a story about controlling a mini society with limited resources. Now that the map of this reality’s facts is much clearer, the story of rebellion and the search for the truth has been somewhat less interesting.

Yes, there’s a new mysterious character played by Steve Zahn. And we’ve still got a few lingering questions plus a couple new ones, but they all hardly seem as significant as the ones already answered. (I could be wrong.)

The Truth is Out There
“Silo” has been strongest when it’s doled out its key details in small but meaty portions much like the groundbreaking “Lost” and “The X-Files” series. Though they’re all action shows, what make them special is their mystery.

Often the answers don’t live up to the hype surrounding the questions. That was certainly the case with “Lost” and “The X-Files.” Happily, “Silo” hasn’t suffered the same fate, ironically because it’s seemingly gone through many of its twists during its freshman season. And the uncomfortable answers have been entirely satisfying.

But now what?

Slow but Sure
It’s just been reported that “Silo” has been renewed for two more seasons with its fourth being its last.

So, we’re not even halfway through yet? Clearly, I’ve been unnecessarily impatient during this sophomore season. I imagine there must be more freaky goodness to come.

Still, that doesn’t change the fact that season two has been slower. Sure, there’s been plenty of action, but it feels like the middle episodes with split storylines have been biding their time.

But I’m not going anywhere.

What’s Around the Corner?
“Silo” is worth waiting for. Both Ferguson and Robbins are so great. And though the story would seem to be currently following a predictable path, I have a hunch that will change in the not-too-distant future.

I think I smell a fresh pot of coffee ready to be served up.

December 22, 2024

Where have All the Movies Gone?

Finding a good movie to watch in the theater feels a lot harder than it used to be. Here’s how I’m handling it, and which films I recommend.

Are you frustrated because there aren’t enough movie options in the theaters for you? Look, I get it. It’s been a rough few years for Hollywood. First the pandemic. And the writers’ strike. Then, we all forgot how to go to movie theaters and stayed home and streamed instead. More movies started to bomb at the box office, and then they made fewer flicks.

So, there’s even more pressure on the movies they do make to deliver. And for the most part, they haven’t.

The Fall Guy
It’s not like any movie can ever be guaranteed to be a sure hit. (It’s always been that way.) Remember 2024’s “The Fall Guy?” That was a blast of a movie. So much fun. I loved it. But it tanked at the box office.

Furiosa: A Mad Max Saga
On the other hand, “Furiosa: A Mad Max Saga” fizzled at the same time for a different reason. This Mad Maxless flick just wasn’t that appealing for a broader audience. Sure, it had amazing stunts and cinematography, but the prequel’s story was hardly riveting, and if we’ve been paying attention to the larger story being built by director George Miller, we knew where it was all going. I would say the first half of the film had much more going for it, and then it ran out of gas.

And yes, I streamed both these movies months after they left theaters. So, I admit, I’m part of the audience problem equation. But it’s not all our fault.

No to Glicked
As I write this, I’m on holiday break with my wife and 14-year-old son. I was hoping to head out to the movie theaters with them a couple times. But there are frustratingly few options for older kids available to us.

Sure, there are the traditional ‘family’ movies for younger kids, like “Wicked” and “Mufasa.”

On the other side the scale, there’s “Gladiator 2.” The promised massive carnage is just a tad extreme for us. And “Kraven the Hunter?” Please.

But there was one choice to consider.

The Lord of the Rings: The War of the Rohirrim
We did venture out to see the animated “The Lord of the Rings: The War of the Rohirrim” (PG-13). Our movie theater was almost completely empty, and it ironically felt like we were back in our own living room.

Directed by Kenji Kamiyama and executive produced by Peter Jackson, the story is based on J.R.R. Tolkein’s appendices to “The Lord of the Rings.” So, this script only has passing references to the larger Lord of the Rings universe. There was one cameo, courtesy of reedited archival audio. Otherwise, it’s your standard standalone feudal warlords anime.

My family enjoyed this return to Middle-earth story more than I did. (My son identified additional “Lord of the Rings” references, and my wife liked the Japanese-style animation.)

As for me, I thought this prequel was just adequate, but it did succeed in checking my box of going out to the movies with the family.

But I think that’s going to be it for the season.

So, I must return to the world of streaming to provide our remaining holiday screen entertainment. Happily, there’s no shortage of good options.

Red One
In what seems like the oddest movie distribution plan ever, “Red One” (PG-13) starring Dwayne Johnson and Chris Evans is simultaneously streaming on Prime Video and playing in movie theaters. So, of course we’re staying home to stream this silly but fun big-budget action treat about saving Santa Claus.

Here’s are a couple other newish choices on my go-to holiday movie list:

“Spirited” on Apple TV+ with Will Ferrell and Ryan Reynolds
(2022/PG-13)
“8-Bit Christmas” on Max with Neil Patrick Harris (2021/PG)

Next Year
Is there hope for the future of movies at the box office?

In 2025, we’ve got the last “Mission Impossible” and “Superman,” the first superhero movie in the new DC universe under James Gunn. (The teaser trailer looks fantastic.)
I’m also excited for the MCU’s “Thunderbolts” and “The Fantastic Four: First Steps.”
And “Avatar: Fire and Ash,” just in time for Christmas.

Is there still hope? Yeah, I think so.

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