Best Digital Cameras to Capture Your Speedy Toddler
My two-year-old son moves fast.
He runs everywhere.
Unless he’s marching.
Sometimes he’s not moving forward.
But then he’s bouncing.
The good news is I can still keep up.
The bad news is my digital camera gear can’t.
Why Your Camera Isn’t Good Enough
Any of your child’s various activities present you the opportunity to take amazing photographs. But the action is often hard to capture.
Here are two reasons why:
- If you’re trying to use natural light at home, your pictures can end up looking blurry. Unless you’re shooting outdoors, most pocket cameras don’t have lenses that let in enough light or big enough CCD (charge-coupled device) image sensors to freeze the action.
- And if you use your camera’s flash, then you’ve only got one shot at the shot. (unless you’ve got a DSLR)
In the few seconds it takes for your pocket camera to prep for the next photo, your child is already in the next room.
Look, I’m no pro photographer, but I know enough that one camera cannot possibly meet the needs of all situations. So I’ve got more than one.
The problem is I feel I’m still not getting it done.
Sure, people tell me what great shots I take of my son, and I do get some.
But only I see the many shots I still can’t get right.
And as we pass through Black Friday and Cyber Monday and all the other ‘shopping deals’ through the end of the year, I got the itch to upgrade my camera arsenal, which covers three main categories:
Point-and-Shoot Pocket Cameras
Those magic photo moments present themselves when you least expect it.
You need a camera you can whip out, quickly turn on and snap.
The pocket camera I’m currently using is a
2011 Canon PowerShot Elph 300 HS.
(The new model on the market is the Elph 320 HS.)
I like my tiny Elph.
It takes great pictures and has a nice 24mm wide-angle lens, which lets me capture more of my son, when he’s playing right next to me.
(It’s also great for group self portraits of up to four by simply stretching your arm out while holding the camera in reverse.)
But it can’t handle that action moment unless you’re outdoors.
The Camera in Your Smartphone
Sure, like much of the planet, you’ve also got a smartphone in your pocket that can take pictures. So you may feel like you don’t need another bulge in your pocket, but your phone is even less capable at capturing action shots.
It’s good for taking a posed photo, and that’s about it.
I know. I know.
Doesn’t everyone understand if you’re serious about getting great photos of your kids, you’re going to need a Digital SLR with a big CCD sensor and a decent lens?
Sure it’s going to cost you some coin, but the price of entry into the DSLR world isn’t as high as it used to be.
Consumer DSLRs these days start at only a few hundred dollars more than their point-and-shoot cousins.
(Prosumer models still live in the $1-2K range.)
I’m currently using a 2009 Canon EOS Rebel T1i.
(The new model out there is the T41)
But the big problem with a big DSLR is…
It’s tough to carry around all the time.
And when you’re schlepping the diaper bag, the toy bag and the stroller, you end up leaving your DSLR behind more often than you’d like.
But it remains your only hope to consistently capturing great low-light action photos.
The Bundled Kit Lens
One reason why entry-level DSLRs are so affordable is they typically come bundled with inexpensive kit lenses that are simply not that great.
Still, these lenses are better than the lenses in your little pocket camera.
So it’s still a decent choice for the price-conscious consumer who wants to take better pictures, right?
Up to a point.
Any article you read about these bundled kit lenses say they’re good to learn with. After a while, some photographers see the limitations and find themselves wanting more.
And I’ve reached that point.
Married to Canon
I’ve been using Canon cameras for years and have been generally happy with my compact point-and-shoot cameras and my DSLR.
My frustrations have surrounded the elusive toddler photo, and as I documented above, this problem simply lies with the limitations of the tools I’ve chosen.
And as I look to expand my photographic capabilities, it’s a hard move to choose another partner.
There’s a certain coziness that has set in by using a common Canon user interface. Each camera generally operates the same way.
Plus, it’s just about the only camera maker that’s using QuickTime H.264 files for capturing movie clips. (which I also shoot a lot of!)
I like H.264 movie files, because they are better to edit with in Final Cut Pro.
And in Final Cut Pro X, you don’t have to first transcode these movies to a friendlier codec like ProRes to edit with.
FCP X will work natively with the H.264 files, saving me tons of time, duplicated media and extra file storage.
You can’t go wrong sticking with Canon.
Sony Rocks Your World
But in studying recent reviews of Canon’s non-DSLR camera line up, Canon has slipped from grace a bit against the competition.
Currently, The Sony Cyber-shot DSC-RX100 is universally regarded as the best compact point and shoot out there.
A major reason for that is the large, one-inch DSLR sensor they’ve somehow crammed into it.
Yes, it’s really expensive at $650, but everyone is absolutely crazy about it:
CNET loves it.
Gizmodo says it’s a “significant achievement.”
David Pogue calls it “the best pocket camera ever made.”
I would leave Canon in a heartbeat for this.
The RX100 shoots movies with the silly HVCHD codec, which won’t work with Final Cut Pro.
So I would have to return to transcoding my movie files, which I simply can’t bear, now that I’ve tasted freedom from that unspoken tech burden.
Sony- please call me when your movie codec starts to play nice with Apple.
I’m be waiting…
The Choice in Canon Cameras
So what’s a demanding amateur photographer to do if he wants to go with a Canon?
There are thirty-five options, which can quickly get confusing.
One way to sort through all the choices is on sortable.com, which allows you to compare the specs and reviews between two cameras.
But by my count, there are really only five ways to go in attempting to
capture your child’s elusive low-light highlights.
(And they’re not inexpensive!)
The G series is a tank of a camera. (I used to use the G9.)
Reviews agree that this camera is a solid choice and does well in low light.
But tanks are big. You’re never going to stuff this one in your pants pocket. Maybe your jacket…
However, it’s no longer the darling it once was with Sony’s RX100 out there.
This is a newer version of the S95 and S100, both of which are still on the market.
It’s the best pocket camera Canon has, but it’s not as good as the G15.
So you’ve got a dilemma. Should you go with the better, bulkier camera you’re not going to take with you all the time, or keep something not quite as good with you all the time in your pocket?
This has a 20x super zoom lens, which I once thought would solve all my problems.
I bought the Canon PowerShot SX230 during the summer of 2011, and quickly realized that zooming into the action from far away doesn’t necessarily make the action any clearer.
Then, the flash stopped working, and the battery wouldn’t hold a charge.
Maybe it didn’t help that the camera took a nasty four-foot spill onto a cement sidewalk on its maiden voyage.
(Let’s speak no more of this.)
I haven’t repaired the SX230, because I’d rather put that money towards my toddler action-shot solution.
And the SX260 probably isn’t going to help there.
So none of the above choices really attack my problem sufficiently.
(And by the way, if you’re thinking about Canon’s new PowerShot G1 X for a whopping $800, put your wallet away.
All the reviews agree it’s not worth it. That’s DSLR pricing!)
And speaking of DSLRs, my older Canon T1i can’t even do the job the way I want. Is it time to buy the brand new model- EOS T4i? (drool)
Nope. That’s just putting money in the wrong place.
I need to graduate to the prosumer camera world, and just buy a better lens for my old T1i.
I have a friend I work with who is also a professional still photographer.
When I told him my story, he suggested I buy the Canon EF 50mm f/1.4 USM lens.
This professional 50mm lens would be a good first glass purchase outside the kit lens world.
(‘Glass’ is what the pros call their lenses.)
It’s a prime lens, which means it doesn’t zoom.
But prime lenses generally give you a better picture for the price.
He said this 50mm lens would give me a little bit of reach… so I wouldn’t have to be on top of my toddler. My feet would have to do the rest.
Glass Isn’t Cheap
This lens costs $339, including a $60 Canon discount as I write this.
Good zoom lenses easily go into the thousands!
Do professional photographers spend more money on their glass than their cameras sometimes?
At these price points, you can see why the typical amateur photographer isn’t playing in this sandbox.
All I know is when my toddler is happily playing in his sandbox, I just want to take a good picture!
Buy Last Year’s Model!
By now, digital camera technology has reached a certain maturity. Buying last year’s model of a good camera is a great idea, because by now it’s heavily discounted.
Don’t feel like spending $820 on the new Canon T4i DSLR, with 18-55mm kit lens? (drool)
Buy the Canon T3i. (some drool)
Amazon had it on sale over Black Friday weekend for $500 with the 18-55mm lens. And don’t fret on missed discounts. There’s always another Amazon or other web deal waiting in the wings. Just keep looking…
So there’s really no perfect solution.
The G15 is too big for your pocket.
The S110 isn’t as good as the G15.
The big zoom of the SX260 isn’t going to make the blurs go away.
Buying last year’s DSLR at a discount is a deal, but I need glass.
And good glass is expensive!
So what did I do?
I pulled the trigger and bought the Canon 50mm lens.
I bought it online from Adorama, because they threw in a lens UV filter and cleaning kit for the same price.
But I wasn’t done…
Option #5 came in particularly handy on Black Friday at the Lester household.
It just so happens that Amazon was offering the Canon PowerShot S100 as a ‘Gold Box’ daily deal for only $229. (That’s almost half the price of the slightly newer S110.)
The S100 would do a much better job in my pocket than my still decent Elph 300.
I couldn’t resist.
I know it seems like an indulgence, since the new glass is my solution.
But I quickly created a bulletproof rationale to back up my impulse purchase-
After replacing my Elph 300 with the new S100 in my pocket, I would move the Elph into the kitchen for the rest of my family to use, replacing our old Canon SD960 from 2009.
This retiring PowerShot is the Dorean Grey of my camera fleet.
It’s really taken a beating over the years and has kept on ticking, although its photos now look kind of muddy.
Plus, its faceplate is being held on with duct tape!
(My son has taken a few self-portraits with it.)
Ready for Action!
So there you have it.
I bought some glass and upgraded my pocket camera.
It’s a win-win. Yes?
Now, there’s always a sharp picture around the corner…
No matter how fast he’s moving!
But I’ve clearly blown my holiday shopping budget on tech gear for myself.
Time to focus on my son, and the rest of my family!