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Tag: Trekkie

January 26, 2025

Star Trek: Section 31 Tries to be a Dumpster Fire and Succeeds

If you’ve also been waiting since 2020 to see what happened to Michelle Yeoh’s Emperor Georgiou from “Star Trek: Discovery,” she’s finally reappeared in “Section 31.” Here’s my review of this crazy TV movie.

There’s been a hole in my Trekkie heart ever since the very first episode of “Star Trek: Discovery” back in 2017. My heart broke early in the episode when Starfleet Captain Philippa Georgiou played by the wonderful Michelle Yeoh shockingly died with a Klingon blade to the heart.

More than a plot device, it was a clear message from the showrunners to all Trekkies that the old Star Trek you knew and loved was dead.

I was all set to watch another five-year mission with Captain Georgiou at the helm. But no, that wasn’t the plan. That said, this unexpected Trekkie betrayal also contained a hidden twist… with a lifeline to a future redemption.

It didn’t take that long. Soon we had a mirror universe replacement of Georgiou. And I’ve got to admit that Yeoh’s Emperor Georgiou from the Terran Empire was a blast.

Yeoh was unleashed to embody a delightfully naughty version of Georgiou. Every scene with her was always a bright spot through the entire “Star Trek: Discovery” series until she was banished by the writers through the Guardian of Forever in season 3 (another disappointment).

But wait. Trekkies then heard the producers were going to create a Section 31 series with Yeoh as part of this sinister and secret Federation spy division that has popped up in so many Star Trek series, including “Discovery.”

But no… the series ended up just being a one-off TV movie, which has finally arrived.

Back to the Future
Running just over an hour and a half on Paramount+, this ‘extended episode’ feels somewhat Star Trek adjacent. It’s filled with the quirky characters you might find in a “Guardians of the Galaxy” movie but pulled from the back pages of a “Star Trek” encyclopedia.

When the movie begins, Georgiou has already been transported back to the past a few decades before “Star Trek: The Next Generation.” She’s set up shop running a ritzy space station bar just outside of the Federation. The opening credits explain she had previously joined Section 31 but then disappeared (to apparently follow in the ‘legendary’ footsteps of Quark from Deep Space Nine).

But a threat of galactic proportions sends a Section 31 team led by Agent Alok Sahar (played by Omari Hardwick) to find and re-recruit Georgiou to help save the Federation.

It’s Good to be Evil
Section 31 isn’t as scary an organization as I remember, and the team that finds Georgiou initially acts like a second-rate band of misfit thugs.

Thank goodness they’ve got the ‘evil’ Georgio to save the day. Clearly Section 31 needs her anti-hero vibe to stop a terrorist with an uber-destruction device called the ‘godsend.’

As the story likes to remind us, you can’t escape your past, and so the Terran Empire plays a prominent role in the story.

Warped Sense of Fun
“Star Trek: Section 31” is sometimes clever, but often silly. The writers are clearly Trekkies, but tonally, this story is out of control. The closest parallel might be “Star Trek: Lower Decks.” And that’s a cartoon.

The Terran Empire in the mirror universe used to be the place where the writers and directors allowed the actors to chew up the scenery, but the producers have flipped that equation on its head. Here, all the Terran Empire scenes feel like normal Star Trek. And now it’s the Federation that looks like an extended frat party.

Does that mean “Star Trek: 31” is bad?” Not necessarily. It tries hard to be irreverent, fun and completely over the top. Yes, it’s mostly absurd, which is not your typical Star Trek formula. And you’ve got to be a Trekkie to really appreciate all the hidden references in plain sight.

This movie ends up being an absolute dumpster fire, but intentionally so (both figuratively and literally).

Mayhem with a Touch of Heart
In the middle of the mayhem highlighted by near-constant fighting, shaky camera work and fire spitting out of almost every orifice in the scenery, you can find a small core of Star Trek humanity still aglow. It takes the form of lost love and impossible redemption. This gives Yeoh her only opportunity to stretch her role a bit.

For a movie specifically built for her character, the script doesn’t really offer her enough and instead needs to focus on the new characters, especially due to all the twists in the plot.

Plus, the script requires the film to burn precious minutes with an opening Terran Empire flashback sequence featuring a younger Georgiou played by Miku Martineau.

A Guilty Pleasure
The final scene with our newly congealed team feels like any TV series’ pilot, and as Shatner’s Kirk liked to say, “There are always possibilities.”

Is this gritty, crazy but imperfectly lightweight “Star Trek: Section 31” good enough to stream?

Sure.

It’s a nice diversion… perhaps even a guilty pleasure. And it’s always great to watch the awesome Michelle Yeoh. And yes, I could get used to spending more time with the new characters, who thankfully became more likable by the end of the movie.

No Future for “Section 31?”
But is “Star Trek: Section 31” deserving of getting its own sequel ahead of the non-greenlit “Star Trek: Legacy” spinoff from “Star Trek: Picard?”

I’m not totally feeling it, and no sequel has been announced. But it doesn’t matter, because we’re all going to “Star Trek: Starfleet Academy” soon enough with Holly Hunter and Paul Giamatti.

Happily, next up is season 3 of “Star Trek: Strange New Worlds.”

Hit it.
(please)

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June 2, 2024

Did Star Trek: Discovery Get a Proper Series Ending in Just 15 Minutes?

“Discovery” had only fifteen minutes to wrap it all up after five seasons. That’s certainly a Kobayashi Maru test. This life-long Trekkie shares his experience watching this no-win scenario play out at the end of the final episode.

Being a “Star Trek” fan isn’t what it used to be. Not that being a Trekkie with a phaser was ever especially cool… like sporting a “Star Wars” light saber. I’ve been a Trekkie-nerd all my life, and though there’s admittedly a resurgence of Trek via the several new series on Paramount Plus, “Star Trek: Discovery” has hardly been dominating water cooler chats. (Do those even happen anymore?)

Except for the newest series, “Strange New Worlds,” which somehow captured the magic of the original series, Star Trek hasn’t been ‘must-see TV’ for a long while.

Science fiction fans I talk with admit to having missed entire Star Trek series from decades past and are only now starting to check them out. That says a lot about the cultural state of Star Trek.

Still, I love my Star Trek.

No, I haven’t exactly loved, “Star Trek: Discovery,” but I’ve stuck with it since 2017, through its course corrections and time traveling to reset itself.

Time to Say Goodbye
I reflected last week about how most of the past Star Trek series have had trouble giving us a satisfying final episode.

Now, “Star Trek: Discovery” has streamed its own finale. As part of this extended episode, there’s a closing fifteen-minute epilogue. This sequence was shot two months after season five wrapped filming. And the production on these extra three days of shoots were the only time that the cast and crew knew the series was ending.

So no, there was no gradual way across this final season to wrap up loose ends.

The writers’ mission: Finish “Star Trek: Discovery” in fifteen minutes.

And how exactly did they decide to do that? (Spoilers ahead.)

Answer a Thousand-Year-Old Question
Inexplicably, the writers focused their critical coda on filling a plot hole left behind during the 2018 “Star Trek: Short Treks” episode “Calypso,” which takes place a thousand years in the future.

“Short Treks”? Who remembers any of those?!

Okay, I did find it confusing when I originally watched this mini episode. Zora, our favorite AI voice since Majel Barrett rescues a soldier adrift in an escape pod. The crew apparently abandoned Zora and the Discovery to float into the far future, and no further clues are provided.

It’s a plot gap I never really thought about again, and clearly not one the writers were eager to return to after all these years. I don’t feel there was a huge need to devote any of the last precious minutes of “Discovery” to explain it.

Discovery’s Final Mission
But that’s what happens. The final scene in the series is between Burnham and Zora and explains how the Discovery and Zora get sent on their final lonely mission to wait around in deep space for a millennium. The rest is conveniently shrouded in ‘Red Directive’ secrecy. (So, more questions than answers.)

This same scene is simultaneously tasked with handling the crew goodbyes in a swift pseudo-flashback sequence.

And that’s the series’ conclusion. The whole thing runs about six minutes.

And what about the first nine minutes?

Meet Michael Burnham’s Family
The epilogue begins with ‘Admiral’ Burnham and Book happily living their lives together decades in the future.

It’s well-crafted and takes its time. But this sequence plays like a beginning more than an ending. It could be the intro to a whole new series- “Star Trek: Burnham” (like “Star Trek: Picard”).

But there just isn’t time to introduce us to this new family… not at the expense of everything else.

What about our Discovery family? These are the characters we really want to say goodbye to.

But we don’t get the chance. Not really.

What Happens to the Rest of the Crew?
So, the writers devote the epilogue to explain how the Discovery gets sent to the distant future (not why), and they start with this lengthy love letter to the future Burnham family.

These plot choices rob the Discovery’s crew, who we’re supposed to know and love across these five seasons of getting their satisfying set of goodbyes. Sure, there’s some hugging, but it’s rushed, and the imagined-flashback plot device is a cheat.

To be fair, maybe that’s really all the production had time for with only three extra days of shooting given to them.

And so, the writers chose the Burnham family over the Discovery family.

Angry Trekkie
But I’ve got to tell you, this all feels so unnecessary.

It’s not 1969. Star Trek is not some experimental ‘Wagon Train to the Stars’ anymore.

This established franchise that’s endured for more than a half century deserves better than three days to wrap it up on whatever sets are left standing and then get out of Dodge.

Look, I know that “Star Trek: Discovery” was uneven. And I’ve complained my fair share. I’m not surprised it was time to move on. But this is about ‘how’ they did it.

In the articles I’ve read, the Star Trek PR machine says that everyone involved with the series was ‘satisfied’ with this tacked-on standalone ending sequence.

But I know that’s just spin.

Management
Should I, as a Trekkie, be happy that ‘management’ (to reference a healthier sci-fi series) was magnanimous enough to grant this cancelled series an ending?

Sure. But come on. I think we can do better than this.

Management didn’t have to create an impossible Kobayashi Maru test for the writers.

Fifteen minutes just isn’t enough time for a proper ending.

That’s All Folks
So, they effectively gave it all to our captain and star of the series. And Sonequa Martin-Green indeed did a really nice job with it.

I then watched the U.S.S. Discovery get banished (again) into the future to close a forgotten past plot hole and perhaps satisfy some future, unstated plot requirement. And that was it. Roll credits.

I shrugged.

“Discovery” now joins a long list of Trek series’ endings that underdeliver.

Except for “The Next Generation” and “Picard,” all the rest left me wanting more.

Goodbye “Star Trek: Discovery.” Even though I gave you a hard time across your journey. I was glad to know you. And I haven’t forgotten that you brought Star Trek back to TV.

Live long and prosper… in streaming reruns.

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June 18, 2023

Why Strange New Worlds is Now my Favorite Star Trek Series

This Star Trek prequel has made what’s old new again. Here’s how it continues to successfully bridge the generations in my home as season 2 begins.

Don’t get me wrong. I loved season 3 of “Star Trek: Picard.” Of course there was pent-up demand to get the band back together for one more adventure. Yes, “Picard” was awesome, even though it felt like the last few episodes were rushed to get it all in. And yes, there were some plot holes, but who cares?!

We got another season of “The Next Generation,” and mostly at its best. That’s a gift, and a proper send off after the last movie (“Nemesis”) offered such an unsatisfying ending two decades ago.

But “Star Trek: Picard” was about good endings. “Star Trek: Strange New Worlds” is about great beginnings.

Fun in the 23rd Century
I’ve said before that “Strange New Worlds” on Paramount+ has nailed the successful recipe of “Star Trek” better than any Trek since the original series. And in some ways, “Strange New Worlds” has improved on it.

It’s fun and optimistic. Each character and attached actor is compelling. The scripts are smart. The special effects lavish geeky love on the Enterprise in ways we Trekkies have only dreamed of.

But the show is no lightweight. It’s got some serious themes. Really serious. If you know “Star Trek,” you know the tragic story of Captain Christopher Pike, who precedes Captain Kirk. And the writers have decided to give Pike’s character insight on his future. Whoa. That’s heavy.

We know how it ends. Or do we?

Captain Pike Rocks!
Speaking of Pike, I’ve got to say that Anson Mount gives us arguably the best captain in the Star Trek universe. I know that’s going way out on a limb. But he perfectly captures the essence of the original Starfleet captain: a bold boy scout who still breaks the rules when warranted. He’s also really fun to watch.

His acting helps this series feel entirely confident and comfortable. It needed no time finding its groove.

“Strange New Worlds” is so confident in itself that it sidelined Captain Pike in the first episode of its second season and leaves the whole story to Spock and the rest of the crew, including Nurse Chapel and Dr. M’Benga.

Spock and Nurse Chapel
The first season set the structure of giving major storylines to each of the supporting characters throughout different episodes, and this trend is happily continuing. Instead of overinvesting in new guest characters each week, The writers of “Strange New Worlds” continue to focus on deepening our understanding of the Enterprise crew.

And we already thought we knew many of these characters, right?

Admittedly, the writers are bending Star Trek canon a bit, especially with the growing relationship between Spock and Nurse Chapel. But I think that’s absolutely fine. By now, we’re used to plenty of ‘reimagining’ of core science fiction stories.

Star Trek Doesn’t Need Salty Language
“Star Trek: Strange New Worlds” manages to be both fresh and retro simultaneously. It proves that you don’t have to warp Star Trek down a dark path to try to reinvent it like “Star Trek: Discovery” originally attempted.

It’s also resisted the urge to throw around four-letter words like both “Discovery” and “Picard” have done. Thank you very much.

Not that salty language is so critical an issue for me anymore, as our son is now thirteen. He consumes plenty of profanity when watching the MCU.

But back when “Discovery” premiered, he was only seven. And I was really upset that we couldn’t watch new “Star Trek” together.

Appointment Viewing
Happily, “Strange New Worlds” is Lester family viewing time. And this Trekkie dad couldn’t be more pleased to finally be sharing his life-long passion with his son. My boy loved the show’s first season.

No, “Star Trek” is not quite as cool as “Star Wars” or the MCU. Not for him (and that’s okay).

He insisted on giving me a little sigh and eye roll when I proclaimed after dinner that it was time to watch the second season premiere of “Strange New Worlds.”

He countered that he would prefer to watch the MCU’s “Secret Invasion” series. Fortunately, the premiere of that Nick Fury show on Disney+ was still a week away.

So he agreed to sit down on the couch with me and my wife for a little “Trek.”

Star Trek is Family Time Again
And when Spock (wonderfully reimagined by Ethan Peck) sat in the captain’s chair and struggled to come up with a clever line to order the Enterprise to warp speed, I turned to peek at my son’s face.

He was smiling. And yes, I think I spotted my young teenager laugh. The three of us all laughed together… watching “Star Trek.”

That was the best early Father’s Day gift I think I could ever get.

Our son may never be a Trekkie. And once upon a time, my wife didn’t know the difference between a Tribble and a Klingon.

But we’re all together watching “Star Trek.”

I’ll take it.

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